{"id":1084,"date":"2021-03-07T01:04:19","date_gmt":"2021-03-07T06:04:19","guid":{"rendered":"https:\/\/rondoaward.com\/rondoaward.com\/blog\/?p=1084"},"modified":"2022-02-23T01:23:49","modified_gmt":"2022-02-23T06:23:49","slug":"finally-heres-the-ballot-for-the-gasp-19th-annual-rondo-hatton-classic-awards","status":"publish","type":"post","link":"https:\/\/rondoaward.com\/rondoaward.com\/blog\/?p=1084","title":{"rendered":"RONDO 19 RESULTS ARE HERE"},"content":{"rendered":"
‘Invisible Man’ and ‘War of the Worlds,’ take top Rondo honors in record-breaking vote\u00a0<\/b><\/span><\/span><\/div>\n
Ray Harryhausen’s daughter pens Book of the Year; <\/span><\/em>Scott MacQueen is ‘Monster Kid of the Year; <\/span><\/em>and Svengoolie wins again!<\/span><\/em><\/div>\n
\n
<\/div>\n
FOR IMMEDIATE RELEASE<\/strong><\/div>\n
<\/div>\n
By David Colton<\/div>\n
\n

CHFB News<\/p>\n<\/div>\n

ARLINGTON, VA. \u2013 Despite a crippling pandemic, shuttered theatres and canceled film productions, voters turned out in record numbers for this year’s (Gasp!) 19th Annual Rondo Hatton Classic Horror Awards, honoring the best genre achievements from 2020.<\/p>\n

Among top winners of the fan-based Rondo Awards, a global online ballot honoring the best in classic horror, science fiction and fantasy, were the modern remake of THE INVISIBLE MAN (voted Best Film), THE MANDALORIAN (picked for a second year as Best Television Show),\u00a0 George Pal’s 1953 epic, WAR OF THE WORLDS (Best Blu-Ray and restoration), and Vanessa Harryhausen’s detailed overview of her father’s work, RAY HARRYHAUSEN: TITAN OF CINEMA (Book of the Year).<\/p>\n<\/div>\n

Interest in classic works of the fantastic despite the grim realities of the past year was evident in the record turnout: More than 6,000 fans and pros voted online, a 27% increase from last year’s vote and the largest survey of classic horror fans and pros in history.<\/p>\n

The Rondo Awards, named after Rondo Hatton, an obscure B-movie villain of the 1940s, honor the best in classic horror research, creativity and film preservation. This year\u2019s e-mail vote was conducted by the Classic Horror Film Board, a 26-year old online community.<\/p>\n

<\/div>\n

In individual categories, UCLA film archivest Scott MacQueen<\/strong> was named Monster Kid of the Year (Rondo’s highest honor), for his tireless work restoring the early Technicolor chiller, MYSTERY OF THE WAX MUSEUM.\u00a0 Horror and cultural critic Kelly Robinson<\/strong> was voted Best Writer, Mark Spears<\/strong> was voted Best Artist, and LITTLE SHOPPE OF HORRORS editor Dick Klemensen<\/strong> was recognized for his decades of research into Hammer films.<\/p>\n

\u00a0\u00a0 Other winners ranged from director Sam Irvin<\/strong> for his three-hour commentary on the restoration of FRANKENSTEIN: THE TRUE STORY, to a book collecting\u00a0 paintings that preceded Rod Serling’s NIGHT GALLERY.<\/div>\n
<\/div>\n
\u00a0<\/div>\n
<\/div>\n

 <\/p>\n

\u00a0 Monster Kid Hall of Fame inductees included several fandom pioneers — Stacie Ponder<\/strong>, whose early blog, Final Girl, helped shatter barriers in horror appreciation; Derek M. Koch<\/strong>, whose Monster Kid podcast was among the first devoted to classic horror; the late writer and former Monster Times editor Joe Kane<\/strong>, aka as the Phantom of the Movies; the late author Michael Robert ‘Bobb’ Cotter<\/strong>, and Chicago TV legend Rich Koz<\/strong>, who as horror host Svengoolie has won 10 Rondos over the years.<\/div>\n
<\/div>\n

 <\/p>\n

\u00a0\u00a0Below you\u2019ll find all the winners, along with runners-up and honorable mentions. Many categories were very competitive, and numerous nominees not listed here nonetheless drew significant votes.<\/div>\n
<\/div>\n
\u00a0 Below is a\u00a0photo of Hatton in the 1946 film, HOUSE OF HORRORS, which was an inspiration for the distinctive bust given to winners..<\/div>\n
<\/div>\n
<\/div>\n
<\/div>\n

HERE ARE THE WINNERS IN THE
\n<\/span><\/strong>(GASP!) 19th ANNUAL
\n<\/span><\/strong>RONDO HATTON CLASSIC HORROR AWARDS
\n<\/span><\/strong><\/h3>\n
<\/div>\n
BEST FILM OF 2020<\/strong><\/div>\n
THE INVISIBLE MAN, directed by Leigh Whannell<\/div>\n
\"\"<\/a>
\nRunner-up:<\/strong> Color Out of Space
\nHonorable mentions<\/strong>: WONDER WOMAN 84; POSSESSOR; TENET<\/h6>\n
<\/div>\n
<\/div>\n

 <\/p>\n

BEST TV PRESENTATION<\/strong><\/div>\n
<\/div>\n
THE MANDALORIAN<\/div>\n
\"\"<\/a>
\nRunners-up:<\/strong> LOVECRAFT COUNTRY; WHAT WE DO IN THE SHADOWS
\nHonorable mentions<\/strong>: HAUNTING OF BLY MANOR; CREEPSHOW<\/h6>\n
<\/div>\n
<\/div>\n
\n

 <\/p>\n

BEST BLU-RAY\/DVD<\/strong><\/div>\n
<\/div>\n
WAR OF THE WORLDS (1953; Criterion)<\/div>\n

\"\"<\/a>
\nRunners-up:<\/strong> MYSTERY OF THE WAX MUSEUM (WB); LEGEND
\nOF BOGGY CREEK (Barcelou)
\nHonorable mentions:<\/strong> CURSE OF FRANKENSTEIN (WB); FRANKENSTEIN: THE TRUE STORY (Shout Factory)<\/p>\n

<\/div>\n<\/div>\n
<\/div>\n
<\/div>\n
\n

 <\/p>\n

BEST BLU-RAY COLLECTION<\/strong><\/div>\n
<\/div>\n
FRIDAY THE 13TH DELUXE COLLECTION (Shout Factory)<\/div>\n

\"\"<\/a><\/p>\n

Runner-up:<\/strong> HAMMER FILMS (20-movie set; Mill Creek)<\/h6>\n
Honorable mentions:<\/strong> BELA LUGOSI (Rue Morgue, Raven, Black Cat; Eureka); UNIVERSAL HORRORS Vols. 4, 5 6 (Universal);
\nGAMERA: COMPLETE COLLECTION (Arrow); AL ADAMSON MASTERPIECE COLLECTION (Severin)<\/h6>\n
<\/div>\n

 <\/p>\n

BEST RESTORATION<\/strong><\/p>\n

WAR OF THE WORLDS (1953; Criterion)<\/p>\n<\/div>\n

\"\"<\/a>
\nRunners-up:<\/strong> MYSTERY OF THE WAX MUSEUM (WB); NOSFERATU (1922; Witch’s Dungeon)<\/h6>\n
Honorable mentions:<\/strong> DAWN OF THE DEAD SPECIAL EDITION (Second Sight); LEGEND OF BOGGY CREEK (Barcelou); ELVIRA: MISTRESS OF THE DARK (Arrow)<\/h6>\n

 <\/p>\n

\n

BEST DVD EXTRAS<\/strong><\/p>\n

DAWN OF THE DEAD SPECIAL EDITION (Second Sight)<\/p>\n<\/div>\n

\"\"<\/a>
\nRunners-up:<\/strong> WAR OF THE WORLDS (Criterion); FRIDAY THE 13TH DELUXE COLLECTION (Shout)<\/h6>\n
Honorable mentions:<\/strong> CURSE OF FRANKENSTEIN (WB); BELA LUGOSI 3-film set (Eureka); FRANKENSTEIN: THE TRUE STORY (Shout)<\/h6>\n
<\/div>\n
BEST COMMENTARY<\/strong><\/div>\n
<\/div>\n
Sam Irvin (FRANKENSTEIN: THE TRUE STORY)<\/div>\n
\"\"<\/a>
\nRunners-up:<\/strong> Tim Lucas, Tom Weaver, Kim Newman\/Barry Forshaw
\nHonorable mentions<\/strong>: Kat Ellinger; Scott MacQueen; C Courtney Joyner; Constantine Nasr<\/h6>\n

 <\/p>\n

BEST INDEPENDENT FILM<\/strong><\/div>\n
<\/div>\n
SEEDS, directed by Skip Shea<\/div>\n
\"\"<\/a>
\nRunners-up<\/strong>: WOLF OF SNOW HOLLOW; HOST
\nHonorable mentions<\/strong>: MORTUARY COLLECTION; BRAIN THAT WOULDN’T DIE<\/h6>\n
<\/div>\n

 <\/p>\n

BEST SHORT FILM<\/strong><\/div>\n
<\/div>\n
THE THOUSAND AND ONE LIVES OF DR. MABUSE,
\ndirected by Ansel Faraj<\/div>\n
\"\"<\/a><\/div>\n
Runner up:<\/strong> REBOOTED
\nHonorable mentions:<\/strong> CLEAN; THE MANNEQUIN;
\nREPTILE HOUSE<\/h6>\n
<\/div>\n
<\/div>\n
BEST DOCUMENTARY<\/strong><\/div>\n
CURSED FILMS, directed by Jay Cheel,
\nfive-part series on Shudder<\/div>\n
\"\"<\/a>
\nRunner-up<\/strong>: PHANTOM OF THE OPERA: Unmasking the Masterpiece
\nHonorable mentions<\/strong>: RONDO AND BOB; MEN WHO MADE HAMMER; LUGOSI: THE FORGOTTEN KING<\/h6>\n
<\/div>\n
<\/div>\n

 <\/p>\n

BOOK OF THE YEAR<\/strong><\/div>\n
<\/div>\n
RAY HARRYHAUSEN: Titan of Cinema, by Vanessa Harryhausen<\/div>\n
\"\"<\/a>
\nRunners-up:<\/strong> IT CAME FROM … The Stories and Novels Behind Classic Horror, Science Fiction and Fantasy, by Jim Nemeth and Bob Madison; WOMEN MAKE HORROR, edited by Alison Peirse<\/div>\n
Honorable Mentions:<\/strong> FLASH GORDON: The Official Story of the Film, by John Walsh; 1,000 WOMEN OF HORROR by Alexandra Heller-Nicholas<\/div>\n

 <\/p>\n

\n
BEST HORROR ART BOOK<\/strong><\/div>\n<\/div>\n
<\/div>\n
ROD SERLINGS NIGHT GALLERY: Art of Darkness<\/div>\n
by Scott Skelton and Jim Benson<\/div>\n
\"\"<\/a><\/div>\n
Runners-up:<\/strong> HISTORY OF EC COMICS, by Grant Geissman; FANTASTIC PAINTINGS OF FRANK FRAZETTA,
\nby J. David Spurlock
\nHonorable Mentions: <\/strong>ART OF PULP HORROR by Stephen Jones; VEREOR NOX: The Monster Art of Frederick Cooper<\/h6>\n
\n
<\/div>\n

 <\/p>\n

BEST MAGAZINE (Classic)<\/strong><\/div>\n
<\/div>\n
\n

SCARY MONSTERS
\n\"\"<\/a><\/p>\n<\/div>\n

Runners-up:<\/strong> CLASSIC MONSTERS OF THE MOVIES; LITTLE SHOPPE OF HORRORS
\nHonorable mentions:<\/strong> THE DARK SIDE, FILMFAX, G-FAN; MONSTER BASH; WE BELONG DEAD<\/h6>\n
<\/div>\n
BEST MAGAZINE (modern)<\/strong><\/div>\n
<\/div>\n
FANGORIA<\/div>\n

\"\"<\/a><\/p>\n

Runners-up<\/strong>: RUE MORGUE, HORRORHOUND<\/div>\n
Honorable mention<\/strong>: DELIRIUM<\/div>\n
<\/div>\n
<\/div>\n

 <\/p>\n

BEST ARTICLE<\/strong><\/div>\n
<\/div>\n
\u2018Black Horror; History on the Big Screen,\u2019\u00a0by Ernie Rockelman, HORRORHOUND #84.<\/div>\n

\"\"<\/a><\/p>\n

<\/div>\n
Runners-up<\/strong>:Frankenstein 1910)’, by Kelly Robinson, RUE MORGUE #194;
\n<\/span>–‘Horror Fan for Life,’ by BJ Colangelo, FANGORIA #7;<\/div>\n

— ‘When Clothes Made the Monster,’ by George Humenik, SCARY MONSTERS #119 ‘Assisting Brian DePalma,’ by Sam Irvin, BOOBS AND BLOOD #4<\/p>\n

Honorable Mentions<\/strong>: ‘The Carl Laemmles,’ by Alex Hopkins, CLASSIC MONSTERS ANNUAL 2020<\/h6>\n
— ‘Sick, Savage, Sensual (Al Adamson)’, by Michael Gingold, RUE MORGUE #193<\/h6>\n
–‘Lost, Found and Finally Unbound (<\/h6>\n
— ‘The Making of Revenge of Frankenstein,’ by Bruce G. Hallenbeck, LITTLE SHOPPE OF HORRORS #45<\/h6>\n
<\/div>\n

 <\/p>\n

\n

BEST INTERVIEW<\/strong><\/p>\n

Dr. Gangrene interviews Bruce Campbell,
\nSCARY MONSTERS #116 (That’s Doc
\non the left)<\/p>\n<\/div>\n

\"\"<\/a>
\nRunner-up:<\/strong> Barbara Steele by David Cairns and Daniel Riccuito, SIGHT AND SOUND
\nHonorable Mentions: Greg Nicotero by Drew Tinnin, Dread Central;
\n— Donnie Dunagan by Steven Turek, DieCast Movie Podcast;
\n— Sybil Danning\u00a0by Chris Alexander and Lee Gambin, DELIRIUM #22<\/h6>\n
<\/div>\n
<\/div>\n

 <\/p>\n

BEST COLUMN<\/strong><\/div>\n
<\/div>\n
Scene Queen, by Barbara Crampton (FANGORIA)<\/div>\n
\"\"<\/a><\/div>\n
<\/div>\n
\n

Runners-up<\/strong>: Rondo Remembers by Ron Adams, MONSTER BASH; Kaiju Korner, by Mike Bogue, SCARY MONSTERS<\/p>\n

Honorable mentions<\/strong>: Kim Newman’s Dungeon, THE DARK SIDE; They Came from the Crypt, by Jon Kitley, HORRORHOUND<\/div>\n<\/div>\n
<\/div>\n
<\/div>\n

 <\/p>\n

BEST COVER (A tie)<\/strong><\/div>\n
<\/div>\n
SCARY MONSTERS #118 (Glow in the dark), by Scott Jackson<\/div>\n<\/div>\n
<\/div>\n
\"\"<\/a><\/div>\n
CLASSIC MONSTERS OF THE MOVIES #21 by Daniel Horne<\/div>\n
\"\"<\/a><\/div>\n
\n
Runners-up<\/strong>: FANGORIA #8 by Nathan Milliner;<\/div>\n
HORRORHOUND #86 by Jason Edmiston;<\/div>\n
LITTLE SHOPPE OF HORRORS #44 by Mark Maddox;<\/div>\n
MAD #16 by Bob Lizarraga<\/div>\n<\/div>\n
\n
<\/div>\n

 <\/p>\n

BEST WEBSITE<\/strong><\/div>\n
<\/div>\n
BLOODY DISGUSTING<\/div>\n
\"\"<\/a><\/div>\n
Runners-up<\/strong>: Collinsport Historical Society;<\/div>\n
Video Watchblog<\/div>\n
Honorable mentions<\/strong>: Dread Central<\/div>\n
Dr.Gangrene’s Mad Blog<\/div>\n<\/div>\n
<\/div>\n
<\/div>\n
\n
BEST MULTI-MEDIA SITE<\/strong><\/div>\n
THE EVOLUTION OF HORROR PODCAST<\/div>\n<\/div>\n
\"\"<\/a><\/div>\n
\n
<\/div>\n
Runners-up:<\/strong>\u00a0Monster Kid Radio;
\nGilbert Gottfried’s Amazing Colossal Podcast<\/div>\n
Honorable mentions<\/strong>: Bloodbath and Beyond; Trailers From Hell<\/div>\n<\/div>\n
<\/div>\n
<\/div>\n
\n
FAVORITE HORROR HOST OF 2020<\/strong><\/div>\n
<\/div>\n
SVENGOOLIE<\/div>\n
\"\"<\/a>
\nRunners-up<\/strong>: Joe Bob Briggs; Lamia; Elvira
\nHonorable mentions:<\/strong> Mummy & the Monkey;
\nMr. Lobo; Son of Ghoul<\/h6>\n
<\/div>\n
<\/div>\n
BEST VIRTUAL EVENT<\/strong><\/div>\n
<\/div>\n
VIRTUAL BLOBFEST, streamed from
\nPhoenixville, Pa. where The Blob was filmed
\nPictured is marketing director Bob Trate<\/div>\n
\"\"<\/a><\/div>\n
<\/div>\n
Runners-up:<\/strong> Global online celebration of Harryhausen Centennial;
\nVirtual panels from Atlanta’s Monsterama<\/h6>\n
Honorable mentions<\/strong>: New soundtrack, title cards for Cabinet of Caligari streamed by Transylvania Tonight’s Countess Carita; Online seminars from Miskatonic Institute of Horror Studies<\/h6>\n
<\/div>\n
<\/div>\n

 <\/p>\n

BEST GRAPHIC NOVEL OR COLLECTION<\/strong><\/div>\n
<\/div>\n
BRAM STOKER’S DRACULA by \u00a0El Garing, Kerry Gammill, Richard Starkings, Robert Napton<\/div>\n
\"\"<\/a><\/div>\n
<\/div>\n
Runners-up<\/strong>: STOKER AND WELLS; COUNT CROWLEY
\nHonorable mentions<\/strong>: JOHN CARPENTER’S TALES Vol. 6;
\nHELLBOY: Return of Effie Kolb; LON CHANEY SPEAKS<\/h6>\n

——-
\n<\/strong>INDIVIDUAL AWARDS<\/strong><\/h2>\n
\n
<\/div>\n
<\/div>\n
<\/div>\n
MONSTER KID OF THE YEAR<\/strong><\/div>\n
SCOTT MacQUEEN<\/strong><\/div>\n
\"\"<\/a><\/div>\n
<\/div>\n
\n

 <\/p>\n<\/div>\n

<\/div>\n
Scott MacQueen<\/strong>, UCLA’s Head of Film Preservation,\u00a0 has been the expert hand and visionary behind decades of film restorations, often going to the mat on behalf of films that might be abandoned without his efforts. Most recently he was the driving force behind the Technicolor restoration of MYSTERY OF THE WAX MUSEUM (1933), and DOCTOR X (1932).\u00a0 A friend of the genre and defender of cinema’s storied past, he is our Monster Kid of the Year.<\/div>\n<\/div>\n<\/div>\n
<\/div>\n
<\/div>\n
\n
\n
WRITER OF THE YEAR<\/strong><\/div>\n
KELLY ROBINSON
\n<\/strong><\/div>\n
<\/div>\n
\"\"<\/a><\/div>\n
\n

\u00a0\u00a0 Kelly Robinson<\/strong>‘s bylines range from RUE MORGUE to DIABOLIQUE and SMITHSONIAN magazines, with many off-the-path stops in between. She is an expert on near-forgotten films — she was Rondo-nominated this year for the history of Edison’s Frankenstein in 1910 — and sees hidden connections between cinema and culture from any era. Whether the allure of murder pop songs or the search for lost fragments of celluloid, her work always sparks conversation.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

Runners-up<\/strong>: Gregory Mank, Kat Ellinger, Tim Lucas, Gary D. Rhodes, Tom Weaver, Chuck W. Chapman, Michael Gingold, Steve Bissette, Jim Nemeth.<\/div>\n
\n
\n
<\/div>\n
<\/div>\n
ARTIST OF THE YEAR<\/strong><\/div>\n
MARK SPEARS
\n<\/strong><\/div>\n
<\/div>\n
\"\"<\/a><\/div>\n
\u00a0\u00a0 A multiple-Rondo magazine cover nominee, Mark Spears<\/strong>‘ latest project is a set of retro ‘monster cards’ that show his ability to make<\/div>\n
familiar monster images new again. Whatever the format,<\/div>\n
his work is deeply impactful and classic.<\/div>\n
<\/div>\n
Runners-up<\/strong>: Mark Maddox; Daniel Horne, Frederick Cooper, LJ Dopp, Jason Edmiston, Pete Von Sholly.<\/div>\n<\/div>\n<\/div>\n
<\/div>\n
<\/div>\n
\n
\n
FAN ARTIST OF THE YEAR (The Linda Miller Award)<\/strong><\/div>\n
<\/div>\n
NOUFAUX\u00a0<\/b><\/div>\n

\"\"<\/a><\/p>\n

<\/div>\n
<\/div>\n
\u00a0\u00a0 The elegant mystery stylings of Noufaux<\/strong>, infuse delicate art nouveau with horror iconography, inviting to the eye but hiding a sinister secret the longer a viewer lingers.<\/div>\n
<\/div>\n
Runners-up<\/strong>: Josef Mendez, Malcolm Gittins, Gustavo Rapela,<\/div>\n
Max Martelli<\/div>\n
———————<\/div>\n<\/div>\n

SPECIAL RECOGNITION RONDOS<\/strong><\/h4>\n<\/div>\n
<\/div>\n
RICHARD KLEMENSEN<\/strong><\/div>\n
\"\"<\/a><\/div>\n
<\/div>\n
\u00a0 \u00a0For decades, Richard Klemensen<\/strong> has lived and breathed Hammer films, primarily through the pages of his glossy magazine, LITTLE SHOPPE OF HORRORS. But this year his many set visits and interviews emerged in a new way — narrating a series of min-documentaries known as The Men Who Made Hammer. Chapters are included on recent Warner Brothers’ Hammer films as extras, providing a new experience to those seeing the films for the first time.<\/div>\n
<\/div>\n
GEORGE FELTENSTEIN<\/strong><\/div>\n
\"\"<\/a><\/div>\n
<\/div>\n
\u00a0 \u00a0It’s not often that the Rondo Awards go behind the walls of corporate media companies, but George Feltenstein<\/strong>‘s years of work at Warner Bros. on behalf of horror and movie fans cannot go unrecognized. Just this year he helped deliver the long-awaited CURSE OF FRANKENSTEIN restoration, along with MYSTERY OF THE WAX MUSEUM and DOCTOR X, as well as boosting an ISLE OF THE DEAD release. His years of bringing the films of Warner Bros., MGM and RKO to disc leave a legacy that will not be forgotten.<\/div>\n
<\/div>\n
<\/div>\n
\n
MONSTERS HOLDING …<\/strong><\/div>\n
Write-ins backed Patrick Carnivore’s art-filled site for Special Recognition. The site\u00a0 celebrates monsters and their victims.<\/div>\n
Not always safe for work.<\/div>\n<\/div>\n
\"\"<\/a><\/div>\n
<\/div>\n
\n
\n

THE MONSTER KID HALL OF FAME
\n(Based on votes and Rondo selections)<\/strong><\/h4>\n
<\/div>\n
STACIE PONDER
\n\"\"<\/a>
\n<\/strong><\/div>\n
<\/div>\n
\u00a0\u00a0 From the early 1990s to today’s anything-goes podcasts and films, Stacie Ponder<\/strong> has wielded wit and wisdom to offer a new vocabulary of women and horror. Her trailblazing ‘Final Girl’ blog was among the first to go beyond the limits of ‘victimization’ and reveal how horror can reveal truth and ultimately triumphs. She champions that fresh outlook without fear nor apologies. She now is a regular columnist for RUE MORGUE Magazine. But never fear:\u00a0 ” I love my blog like a \u2026 lover,” she says.<\/div>\n<\/div>\n
\n
<\/div>\n<\/div>\n
\n
<\/div>\n
JOE KANE
\n\"\"<\/a>
\n<\/strong><\/div>\n
<\/div>\n
\u00a0\u00a0 The late Joe Kane<\/strong> could have stepped out of a 70s movie — a lover of 42nd Street cinema, an early editor of The Monster Times, a movie critic (as The Phantom of the Movies), for the New York Daily News and publisher\/editor of VIDEOSCOPE Magazine. An author and movie expert who inspired a generation. Joe is gone far too soon.<\/div>\n
<\/div>\n
<\/div>\n
DEREK M. KOCH<\/strong><\/div>\n

\"\"<\/a><\/p>\n

<\/div>\n
\u00a0 \u00a0Podcasts are everywhere these days, but none can match Derek M. Koch<\/strong>‘s Monster Kid Radio when it comes to talk about classic monsters, and nothing but classic monsters. Every week, Derek explores the inner world of these long-ago movies with guests and insights. During the pandemic he began offering seven hours of streaming movies on weekends. A true Monster Kid for everyone.<\/div>\n
<\/div>\n<\/div>\n
\n
<\/div>\n
ROBERT MICHAEL ‘BOBB’ COTTER\"\"<\/a>
\n<\/strong><\/div>\n
<\/div>\n
\u00a0\u00a0 Mexican wrestlers, Doc Savage, the Misfits, Vampira and Ingrid Pitt were just part of the late Robert Michael ‘Bobb’ Cotter<\/strong>‘s enthusiasms, which he shared in eight books over a long career. A DJ, a musician, an artist and a steady presence at conventions always found Bobb ready for his next project. His death leaves a huge loss in the horror and popular culture community.<\/div>\n<\/div>\n
\n
<\/div>\n
<\/div>\n
<\/div>\n<\/div>\n
RICH KOZ (SVENGOOLIE)<\/strong><\/div>\n
\n
<\/div>\n
)\"\"<\/a><\/strong><\/div>\n
<\/div>\n
\u00a0 Rich Koz has been part of the Chicago (or is it Berwyn?), media landscape for more than 40 years, and has never been more popular. A horror host who followed the original Svengoolie, Rich has built a nationwide following with a mix of old-time horror host humor and access to quality monster movies from the last century. A Midwest original.<\/div>\n
<\/div>\n
<\/div>\n
<\/div>\n
—————<\/div>\n
<\/div>\n
\n

\u00a0\u00a0 As we always say, if you’ve gotten this far, you are a true Monster Kid. Again, remember that winning is fun but the true value is in all the nominees and all their work. We hope you use this “downtime” to check out the links and podcasts and videos on the ballot. And thanks for being a part of the Rondo experience.<\/p>\n<\/div>\n

\"\"<\/a><\/div>\n
Rondos copyright 2021 by David Colton<\/span><\/div>\n<\/div>\n
<\/div>\n
————————————————————-<\/div>\n

HERE WAS THE OFFICIAL BALLOT
\n<\/strong>FOR THE (Gasp!) 19TH<\/sup> ANNUAL
\n<\/strong>RONDO HATTON CLASSIC HORROR AWARDS<\/strong><\/h3>\n<\/div>\n
(Voting has ended)
\n<\/strong><\/h5>\n
Delayed by the Year of the Pandemic, here finally is this year\u2019s ballot for the best work in classic horror during 2020.<\/h6>\n
Since 2002, the Rondos have been fandom\u2019s only classic horror awards \u2013 decided by fans, for fans. Every nominee below is being recognized for significant achievements in 2020. By voting, you add your voice and make a difference.<\/h6>\n
As noted, 2020 was no ordinary year. Movies were delayed or sent streaming, conventions were canceled, and magazines struggled. But with some adjustments, we still have an amazing ballot to offer.<\/h6>\n
\"\"<\/a><\/h6>\n
<\/h6>\n
HERE WAS THE OFFICIAL BALLOT
\nFOR THE (Gasp!) <\/strong>19TH<\/sup> ANNUAL
\nRONDO HATTON CLASSIC HORROR AWARDS<\/strong><\/h6>\n
— This year’s awards are dedicated to Ted Newsom, Joe Kane & Robert Michael ‘Bobb’ Cotter —<\/span><\/h6>\n

VOTING HAS ENDED<\/h1>\n

1) BEST FILM OF 2020
\n<\/strong>Due to the pandemic, includes wide release, video-on-demand and streaming<\/em><\/h6>\n
— BLACK BOX<\/strong>, directed by Emmanuel Osei-Kuffour Jr. (Amazon Prime)
\n— COLOR OUT OF SPACE<\/strong>, directed by Richard Stanley (wide)
\n— COME PLAY<\/strong>, directed by Jacob Chase (wide)
\n— THE CRAFT: LEGACY<\/strong>, directed by Zoe Lister-Jones (VoD)
\n— FREAKY<\/strong>, directed by Christopher Landon (wide)<\/h6>\n
— GRETEL & HANSEL<\/strong>, directed by Osgood Perkins (wide)
\n— HIS HOUSE<\/strong>, directed by Remi Weekes (Netflix)
\n— THE INVISIBLE MAN<\/strong>, directed by Leigh Whannell (wide)
\n— THE LODGE<\/strong>, directed by Veronika Franz and Severin Fiala (wide)
\n— LOVE AND MONSTERS<\/strong>, directed by Michael Matthews (VoD)<\/h6>\n
— MIDNIGHT SKY<\/strong>, directed by George Clooney (Netflix)
\n— POSSESSOR<\/strong>, directed by Brandon Cronenberg (wide)
\n— RELIC<\/strong>, directed by Natalie Erika James (wide)
\n— THE RENTAL,<\/strong> directed by Dave Franco (wide; VoD)
\n— SHE DIES TOMORROW<\/strong>, directed by Amy Seimetz (VoD)
\n— SYNCHRONIC<\/strong>, directed by Justin Benson, Aaron Moorhead (wide)<\/h6>\n
— TENET<\/strong>, directed by Christopher Nolan (wide)
\n— UNDERWATER<\/strong>, directed by William Eubank (wide)
\n— VAST OF NIGHT<\/strong>, directed by Matthew Patterson (wide; Amazon)
\n— WONDER WOMAN 84<\/strong>, directed by Patty Jenkins (wide; HBOMax)
\n— THE WRETCHED<\/strong>, directed by Brett and Drew T. Pierce (wide)
\n— Or write in another choice:<\/h6>\n
2) BEST TV PRESENTATION<\/strong><\/h6>\n
— BRAVE NEW WORLD<\/strong>, \u2018Everybody Happy Now,\u2019 7.15.20, NBC Peacock. Rebellion grows against a genetic caste system. \u2018If this place is so perfect, why is it upside down?\u2019
\n— CREEPSHOW<\/strong>, \u2018Survival Type,\u2019 10.30.20, Shudder. Animated adaptation of Stephen King story. \u2018How badly does the patient want to survive?\u2019
\n— DOCTOR WHO<\/strong>, \u2018The Haunting of Villa Diodati,\u2019 2.16.20, BBC America. The Thirteenth Doctor encounters Mary Shelley at Lake Geneva. \u2018\u2019Nobody mention Frankenstein. Nobody interfere.\u2019
\n— DRACULA<\/strong>, \u2018The Rules of the Beast,\u2019 1.4.20, BBC\/Netflix. At a convent, Sister Van Helsing confronts the Lord of the Undead. \u2018Why does death always come as such a shock to mortals?\u2019
\n— HAUNTING OF BLY MANOR<\/strong>, \u2018The Great Good Place,\u2019 10.9.20, Netflix.\u00a0 Adaptation of Henry James\u2019 Turning of the Screw. \u2018You young people have no idea what you are letting yourselves in for.\u2019<\/h6>\n
— INTO THE DARK<\/strong>, \u2018Good Boy,\u2019 6.12.20, Hulu. Woman finds her support dog offers no support at all. \u2018He can tell when I get anxious.\u2019
\n— LOVECRAFT COUNTRY<\/strong>, \u2018Sundown,\u2019 8.16.20. HBO. Racism of 1950s South collides with creatures from another reality. \u2018I\u2019ve heard worse. I\u2019ve been part of worse.\u2019
\n— THE MANDALORIAN<\/strong>, \u2018The Rescue,\u2019 12.18.20, Disney+. Baby Yoda finds a master. \u2018I\u2019ll see you again. I promise.\u2019
\n— SUPERNATURAL<\/strong>, \u2018Carry On,\u2019 11.19.20, The CW. After 15-years, the monster hunt comes to an end. \u2018You knew it was going to end like this for me.\u2019
\n— THE TRUTH SEEKERS<\/strong>, \u2018Shadow of the Moon,\u2019 10.30.20, Amazon. Racing an eclipse, the team finds one member is not what they seem. \u2018Never send a human to do a super-being\u2019s job.\u2019<\/h6>\n
— THE TWILIGHT ZONE<\/strong>, \u2018The Who of You,\u2019 6.25.20, CBS All Access. A would-be bank robber eludes a cop by jumping from body to body. \u2018Charge him with criminal hypnosis.\u2019
\n— THE WALKING DEAD<\/strong>, \u2018Walk With Us,\u2019 3.15.20, AMC. Negan and Alpha have a reckoning. \u2018It took you long enough.\u2019
\n— WHAT WE DO IN THE SHADOWS<\/strong>, \u2018Nouveau Theatre Des Vampires,\u2019 6.10.20, FX. A gala is really a trap for the Staten Island vampires. \u2018He was getting more and more sad. I could smell it on him.\u2019
\n— Or write-in another choice:<\/h6>\n
3) BEST DVD\/BLU-RAY OF 2020:<\/strong><\/h6>\n
— BRIDES OF DRACULA<\/strong> (1960; Shout!)
\n— CAT AND THE CANARY<\/strong> (1939)\/GHOST BREAKERS<\/strong> (1940, separate Bob Hope films, Kino)
\n— CURSE OF FRANKENSTEIN<\/strong> (1957; Warners Archive)
\n— THE DAY THE EARTH CAUGHT FIRE<\/strong> (1961; Kino)<\/h6>\n
— THE FACE IN THE WINDOW<\/strong> (1939 Tod Slaughter; Kino)
\n— THE FLESH AND THE FIENDS<\/strong> (1960; Kino)
\n— FRANKENSTEIN: THE TRUE STORY<\/strong> (1973; Shout!)
\n— KISS OF THE VAMPIRE<\/strong> (1963; Shout!)<\/h6>\n
— LEGEND OF BOGGY CREEK<\/strong> (1971; Barcelou)
\n— MYSTERY OF THE WAX MUSEUM<\/strong> (1933; WB Archives)
\n— WAR OF THE WORLDS<\/strong> (1953; Criterion)
\n— Or write in another choice:<\/h6>\n
4) BEST DVD\/BLU-RAY COLLECTION<\/strong><\/h6>\n
— AL ADAMSON: THE MASTERPIECE COLLECTION<\/strong> (Severin). 32 remastered films.
\n— COMPLETE LENZI BAKER GIALLO COLLECTION<\/strong> (Severin): Orgasmo, So Sweet\u2026So Perverse, Quiet Place to Kill, Knife of Ice.
\n— BELA LUGOSI<\/strong>: Murders in the Rue Morgue, Black Cat, Raven (Eureka)
\n— DEMONS\/DEMONS 2<\/strong> (1985\/1986; Arrow)
\n— FANTASTIC JOURNEYS BY KAREL ZEMAN<\/strong> (Criterion) Journey to Beginning of Time; Invention of Destruction; Fabulous Baron Munchausen)<\/h6>\n
— FEAR NO EVIL\/RITUAL OF EVIL<\/strong> (1969\/1970; Kino)
\n— FRIDAY THE 13TH<\/sup> DELUXE COLLECTION<\/strong> (Shout!) 12 movies and extras on 16 discs.
\n— THE FU MANCHU<\/strong> CYCLE<\/strong> (1965-1969; Powerhouse). All five Christopher Lee films.
\n— GAMERA THE COMPLETE COLLECTION<\/strong> (Arrow): All 12 films.
\n— HAMMER FILMS<\/strong> (Mill Creek): 20 films in many genres, ranging from Revenge of Frankenstein to Scream of Fear and Creatures the World Forgot.<\/h6>\n
— HE CAME FROM THE SWAMP<\/strong>: The William Grefe Collection (Arrow) Seven films.
\n— INNER SANCTUM MYSTERIES<\/strong> (Mill Creek): All six Lon Chaney Jr. films.
\n— THE OUTER LIMITS<\/strong> (Via Vision\/Australia): Both seasons, including new features.
\n— THE PUPPETOON MOVIE, Vol. 2<\/strong> (Arnold Leibovit Entertainment). 18 stop-motion shorts from George Pal.
\n— UNIVERSAL HORRORS COLLECTIONS Vol. 4, 5 & 6<\/strong> (Shout!): House of Horrors, Night Key, Night Monster, Climax; three Jungle Womans, Monster & the Girl; Thing That Couldn\u2019t Die, Shadow of Cat, Cult of Cobra.
\n— Or write in another choice:<\/h6>\n
5) BEST RESTORATION OR UPGRADE<\/strong><\/h6>\n
— AFRICA SCREAMS<\/strong> (1949; 3D Film Archive) 4K scan from 35mm elements.
\n— THE APE<\/strong> (1940; Kino) Rescued from public domain neglect.
\n— THE BEAST MUST DIE<\/strong> (1974; Severin) Includes \u2018Werewolf Break\u2019 scene.
\n— BRIDES OF DRACULA<\/strong> (1960; Shout!) Refreshed throughout; two aspect ratios (1:85, 1:66)
\n— THE CURSE OF FRANKENSTEIN<\/strong> (1957; Warner Archives) Color and details shine; eyeball closeup restored; three aspect ratios.<\/h6>\n
— DAUGHTERS OF DARKNESS<\/strong> (1971; Blue Underground) From a lost 35 mm print.
\n— DAWN OF THE DEAD SPECIAL EDITION<\/strong> (1978; Second Sight) Three versions on four discs.
\n— ELVIRA, MISTRESS OF THE DARK<\/strong> (1988; Arrow). From a 4K scan of original film elements.
\n— FRANKENSTEIN: THE TRUE STORY<\/strong> (1973; Shout!) Original elements of full 3-hour, 6-minute version.<\/h6>\n
— FRIDAY THE 13TH<\/sup> Part 2<\/strong> (Shout!) Censored gore scenes restored.
\n— HORRORS OF SPIDER ISLAND<\/strong> (1960; Severin) Uncensored version, and U.S. release.
\n— LEGEND OF BOGGY CREEK<\/strong> (1972; Pamula Pierce Barcelou) Eastman restoration rescues film from sub-par prints.
\n— LIVING DEAD AT MANCHESTER MORGUE<\/strong> (1974; Synapse) From 35 mm negative.
\n— LIZARD\u2019S LEG AND OWLET\u2019S WING<\/strong> (1962; Retromedia) Karloff, Chaney, Lorre in Route 66 episode.<\/h6>\n
— MASQUE OF THE RED DEATH<\/strong> (1964; Shout!) Original and extended cut.
\n— MYSTERY OF THE WAX MUSEUM<\/strong> (1933; WB Archives) Early Technicolor corrected, imperfections cleaned throughout.
\n— NOSFERATU<\/strong> (1922; Witch\u2019s Dungeon) New musical score and commentary by Argyle Goolsby.
\n— PANIC BEATS<\/strong> (1982; Mondo Macabro) Complete uncut version directed by Paul Naschy.
\n— PHANTOM OF THE OPERA<\/strong> (1964; Shout!) Restored TV version subplot.<\/h6>\n
— TRAIL OF THE SCREAMING FOREHEAD<\/strong>: Director\u2019s Cut (2007; Hydraulic) Restored footage; commentary by director Larry Blamire.
\n— WAR OF THE WORLDS<\/strong> (1953; Criterion). Saucer wires gone; extensive visual and audio improvements throughout.
\n— Or write in another choice:<\/h6>\n
6) FAVORITE COMMENTATOR <\/strong>(A record number of commentaries in 2020, so the category is a bit loaded; here are examples of their work; please pick two nominees or write in others<\/strong>)<\/em><\/h6>\n
— David DelValle<\/strong> (How to Make a Monster)
\n— Samm Deighan<\/strong> (A Quiet Place to Kill, The Raven)
\n— Kat Ellinger<\/strong> (Daughters of Darkness; Amazon Women on Moon; So Sweet\u2026So Perverse)
\n— Scott Gallinghouse<\/strong>: (House of Horrors, Jungle Captive)
\n— Lee Gambin<\/strong> (Ghost Breakers; Cat and Canary)\u00a0<\/strong><\/h6>\n
— Gary Gerani<\/strong> (Dark Intruder, Fear No Evil\/Ritual of Evil)
\n— Troy Guinn, Rod Barnett<\/strong> (Naschy\u2019s Panic Beats)
\n— Steve Haberman<\/strong> (Curse, Revenge of Frankenstein)
\n— Bruce G. Hallenbeck<\/strong> (Capt. Kronos, Vampire Hunter)
\n— Troy Howarth<\/strong> (Fury of the Wolfman, Orgasmo)<\/h6>\n
— Sam Irvin<\/strong> (Frankenstein: The True Story)
\n— C Courtney Joyner<\/strong> (How to Make a Monster; War of the Colossal Beast, w\/ Don Glut, Eric Hoffman)
\n— David Kalat<\/strong> (Battle in Outer Space, H-Man, Mothra)
\n— Tim Lucas<\/strong> (Play Misty for Me; Danger Diabolik, Lost Highway)
\n— Kevin Lyons<\/b>\u00a0(Brides, Vengeance of Fu Manchu)
\n— Gregory Mank<\/strong> (Jungle Woman)<\/h6>\n
— Scott MacQueen<\/strong> (Mystery of the Wax Museum)
\n— Jean-Claude Michel<\/strong> (as translated by Bret Wood, Face at the Window)
\n— Constantine Nasr<\/strong> (Curse, Evil of Frankenstein; Brides of Dracula)
\n— Kim Newman, Barry Forshaw <\/strong>(Masque of the Red Death, When Worlds Collide)
\n— Amanda Reyes, Bill Ackerman<\/strong> (Fade to Black, Pray for the Wildcats)
\n— Gary Rhodes<\/strong> (Night Monster)<\/h6>\n
— Jonathan Rigby<\/strong> (Brides, Vengeance of Fu Manchu)
\n— Alan K. Rode<\/strong> (Mystery of Wax Museum)
\n— Yvonne Romain, Leslie Bricusse, Mike Hill <\/strong>(Curse of Werewolf)
\n— Steve Ryfle, Ed Godziszewski<\/strong> (H-Man, Battle in Outer Space)
\n— Richard Harland Smith<\/strong> (Day the Earth Caught Fire, The Ape)
\n— Tom Weaver<\/strong> (How to Make a Monster, The Ape, Monster & the Girl)
\n— Or write in another choice:<\/h6>\n
7) BEST DVD EXTRAS<\/strong><\/h6>\n
— AFRICA SCREAMS<\/strong> (1949; 3D Film Archive) Vintage Abbott and Costello film, radio features.
\n— AMAZON WOMEN ON THE MOON<\/strong> (1987; Kino) \u2018The True Story of Amazon Women on the Moon\u2019 featurette with Landis, Dante.
\n— THE BEAST MUST DIE<\/strong> (Severin; 1974) \u2018And Then There Were Werewolves\u2019 feature by Troy Howarth.
\n— BELA LUGOSI<\/strong>: Murders in Rue Morgue, Black Cat, Raven (Eureka): Videos by Kim Newman, Kat Ellinger, Lee Gambin.
\n— CURSE OF FRANKENSTEIN<\/strong> (1957; WB Archives): Four new features, including Dick Klemensen\u2019s \u2018The Resurrection Men: Hammer, Frankenstein and the Rebirth of the Horror Film\u2019
\n— DAWN OF THE DEAD SPECIAL EDITON<\/strong> (1978; Second Sight). Four feature length documentaries; new interviews.<\/h6>\n
— FADE TO BLACK<\/strong> (1980; Vinegar Syndrome): Numerous extras, including commentary by actor Dennis Christopher.
\n— FRANKENSTEIN THE TRUE STORY<\/strong> (1973; Shout!): New Jane Seymour, Leonard Whiting, Don Bachardy interviews.
\n— FRIDAY THE 13th<\/sup> COLLECTION<\/strong>: \u2018Back to Camp,\u2019 revisiting the campsites by Michael Gingold, Glen Baisley.
\n— FU MANCHU CYCLE<\/strong> (Powerhouse): \u2018Tall, Lean and Feline,\u2019 Christopher Lee feature by Jonathan Rigby.<\/h6>\n
— THE HILLS RUN RED<\/strong> (2009; Shout!) More than a dozen interviews and new features,
\n— HOW TO MAKE A MONSTER<\/strong>: Q&A with co-stars Gary Clark and Gary Conway at Monster Bash; Herman Cohen bio.
\n— MAD MAX<\/strong> (1979; Kino): Director George Miller interviewed by Heather Buckley.
\n— MURDERS IN THE RUE MORGUE<\/strong> (1932; Eureka): Hidden re-edit of the Universal film based on work by Tim Lucas, Gary Prange.<\/h6>\n
— MYSTERY OF THE WAX MUSEUM<\/strong>: Interview with Fay Wray\u2019s daughter; Alan Rode commentary on director Michael Curtiz.
\n— NIGHT TIDE<\/strong> (1963; Indicator). Eight experimental short films by director Curtis Harrington.
\n— THE OUTER LIMITS<\/strong> (Via Vision\/Australia). TV promos, new commentaries by David J. Schow, Tim Lucas, Craig Beam.
\n— SILENT MADNESS<\/strong> (Vinegar Syndrome): \u2018Method to the Madness\u2019 documentary.
\n— TALES OF THE UNCANNY<\/strong> (2020; Severin): Eerie Tales (German; 1919), and Unusual Tales (French; 1949)
\n— WAR OF THE COLOSSAL BEAST<\/strong> (1958, Shout!): \u2018Size Matters: Bert I Gordon at AIP,\u2019 directed by Daniel Griffith.
\n— WAR OF THE WORLDS<\/strong> (1953; Criterion): \u2018Movie Archaeologists,\u2019 Craig Barron hosts unseen production stills and clips.
\n— Or write in another choice:<\/h6>\n
8) BEST INDEPENDENT FILM OF 2020
\n<\/strong>Includes festivals and streaming channels.<\/em><\/h6>\n
— AMULET<\/strong>, directed by Romola Garai. A homeless soldier is taken in by a mysterious duo. See trailer here<\/a>.
\n— BAD HAIR<\/strong>, directed by Justin Simien. A new weave has a mind of its own. See trailer here<\/a>.
\n— THE BEACH HOUSE<\/strong>, directed by Jeffrey A. Brown. Ocean holds a deep secret. See trailer here<\/a>
\n— BLOOD QUANTUM<\/strong>, directed by Jeff Barnaby. Canadian tribes are somehow immune to zombie invasion. See trailer here<\/a>.
\n— THE BRAIN THAT WOULDN\u2019T DIE<\/strong>, directed by Derek Carl. A parody remake of the 1962 classic. In color! See trailer here<\/a><\/h6>\n
— THE DARK AND THE WICKED<\/strong>, directed by Bryan Bertino. Dying man\u2019s visions shake a small town. See trailer here<\/a>.
\n— DARKNESS IN TENEMENT 45<\/strong>, directed by Nicole Groton. Families struggle to survive a grim quarantine. See trailer here<\/a>.
\n— EVIL EYE<\/strong>, directed by Elan & Rajeev Dassani. A mother suspects daughter\u2019s boyfriend is a killer reincarnated. See trailer here<\/a>.
\n— HOST<\/strong>, directed by Rob Savage. A s\u00e9ance on zoom has an unexpected visitor. See trailer here<\/a>.<\/h6>\n
— M.O.M. MOTHERS OF MONSTERS<\/strong>, directed by Tucia Lyman. A battle against feared school shootings. See trailer here<\/a>.
\n— THE MORTUARY COLLECTION,<\/strong> directed by Ryan Spindell. Anthology film based at a funeral home. See trailer here<\/a>.
\n— NECROPOLIS LEGION<\/strong>, directed by Chris Alexander. Writer inadvertently awakens the soul of a vampiress. See trailer here<\/a>.
\n— NOCTURNE<\/strong>, directed by Zu Quirke. A pianist is not alone at the keyboard. See trailer here<\/a>.<\/h6>\n
— PELICAN BLOOD<\/strong>, directed by Katrin Gebbe. A mother\u2019s struggle with a frightful child.\u00a0 See trailer here<\/a>.
\n— THE RECKONING<\/strong>, directed by Neil Marshall. Fear grows as a widow is accused of being a witch by her landlord. See trailer here<\/a>.
\n— SEA FEVER<\/strong>, directed by Neasa Hardiman. Monsters threaten a trawler West of Ireland. See trailer here<\/a>.
\n— SEEDS<\/strong>, directed by Skip Shea. A pagan cult takes hold in New England. See trailer here<\/a><\/h6>\n
— SCARE ME<\/strong>, directed by Josh Ruben. Storytelling in the Catskills gets far too real. See trailer here<\/a>.
\n— SPUTNIK<\/strong>, directed by Egor Abramenko. Russian cosmonaut returns with a strange visitor. See trailer here<\/a>.
\n— TALES FROM PARTS UNKNOWN<\/strong>, directed by Cameron McCasland. Four horrors, hosted by Dr. Gangrene. See trailer here<\/a>.
\n— 12 HOUR SHIFT<\/strong>, directed by Brea Grant. Search for a donor kidney turns deadly. See trailer here<\/a>.
\n— THE WOLF OF SNOW HOLLOW<\/strong>, directed by Jim Cummings. Utah shaken by killings during every full moon. See trailer here<\/a>.
\n— Or write in another choice:<\/h6>\n
9) BEST SHORT FILM<\/strong><\/h6>\n
— CLEAN,<\/strong> directed by Frank H. Woodward (12 mins). Self-quarantine isn\u2019t enough for a germaphobe. See film here<\/a>.
\n— HANGNAIL<\/strong>, directed by Colin MacDonald (3 mins.)\u00a0 A hanging piece of skin becomes a nightmare. See film here<\/a>
\n— THE MANNEQUIN<\/strong>, directed by Kevin Mendiboure (4:40 mins). Terrorized by an armless figure. See film here<\/a>.
\n— MANTIS<\/strong>, directed by Kourtnea Hogan (9 mins). A pick-up line delivers more than expected. See film here<\/a>.<\/h6>\n
— ONCE UPON A TYPEWRITER<\/strong>, directed by Levi Morgan (13 mins). A screenwriter finds a typewriter with keys of its own. See film here<\/a>.
\n— REBOOTED<\/strong>, directed by Michael Shanks (12:46 mins.) A stop-motion skeleton struggles in a CGI film world. See film here<\/a>
\n— THE REMNANT<\/strong>, directed by Navin Ramaswaran (17 mins.) Con artists unleash a protective creature. See film here<\/a>.
\n— REPTILE HOUSE<\/strong>, directed by Tristan Risk (5 mins). Owning a snake is no picnic. See trailer here<\/a>.<\/h6>\n
— RITES OF VENGEANCE<\/strong>, directed by Izzy Lee (4:07 mins). Three nuns end a priest\u2019s evil ways. See film here<\/a>
\n— THE THOUSAND AND ONE LIVES OF DR. MABUSE,<\/strong> directed by Ansel Faraj (17:23 mins). Third installment of modern take on Mabuse. See film here<\/a>.
\n— Or write in another choice:<\/h6>\n
10) BEST DOCUMENTARY<\/strong><\/h6>\n
— CURSED FILMS<\/strong>, five-part Shudder documentary on mishaps and deaths surrounding Exorcist, Omen, Poltergeist, Crow, Twilight Zone.\u00a0\u00a0 See trailer here<\/a>.
\n— HELL IN THE HALLWAYS<\/strong>: Making of Massacre at Central High<\/strong> (1976, Synapse), directed by Michael Felsher. More info<\/a>
\n— IN LOVE WITH TOYS, <\/strong>directed by Raymond Castile. Restored exploration of vintage monster toys and collectibles. See film here<\/a>.
\n— LUGOSI: THE FORGOTTEN KING<\/strong> (Expanded). 1985 documentary revised with an hour of new materials and interviews. More info here<\/a>.
\n— MEN WHO MADE HAMMER: <\/strong>10-part series of profiles on Hammer creators by Dick Klemensen, Tony Dalton, produced by Constantine Nasr, spread over Shout Blu-Rays.
\n— MONSTERS! MARTIANS! HORROR IN THE ATOMIC AGE<\/strong>, directed by Laura McCullough. Three-part oral history with nearly 50 interviews. See trailer here<\/a><\/h6>\n
— PHANTOM OF THE OPERA: Unmasking the Masterpiece, Special Edition<\/strong>, directed by Cortlandt Hull. Expanded look at 1925 film and those that followed, with 100 new photos, new bonuses. See trailer here<\/a>.
\n— RONDO AND BOB<\/strong>, directed by Joe O\u2019Connell. How an art director\u2019s obsession crossed paths with Rondo Hatton\u2019s legacy. See trailer here<\/a>.
\n— TALES FROM THE DARKSIDE<\/strong>: The Making of Four Ghoulish Fables<\/strong>, directed by Michael Felsher. See clip here<\/a>.
\n— TALES OF THE UNCANNY<\/strong>, directed by David Gregory. Dozens of interviews in overview of anthology films. See trailer here<\/a>.
\n— TOO MACABRE<\/strong>, revised making-of Elvira Mistress of the Dark, produced by Tony Timpone, creative supervisor Sven Webber. See trailer here<\/a>.
\n— TOTAL EXCESS: How Carolco Changed Hollywood<\/strong>, directed by Daniel Griffith, narrated by Larry Blamire (Total Recall, 1979, Lionsgate) See trailer here<\/a>.
\n— Or write in another choice:<\/h6>\n
11) BOOK OF THE YEAR<\/strong>\u00a0<\/strong><\/h6>\n
— ALIEN INVASIONS: The History of Aliens in Pop Culture<\/strong>, by Michael Stein (IDW, hardcover, 176 pages, $34.99). Photos and commentaries on those hidden among us.
\n— THE ANIMATED PETER LORRE<\/strong>, by Matthew Hahn (BearManorMedia, softcover, 414 pages, $30). Tracing the actor\u2019s appearances in cartoons from Bugs Bunny to The Simpsons.
\n— ASSAULT ON THE SYSTEM: The Nonconformist Cinema of John Carpenter<\/strong>, by Troy Howarth (Independent, softcover, 463 pages, $64.95). How director\u2019s work confronts authority at every level.
\n— THE BROOD<\/b>, by Stephen Bissette (PS Publishing, hardcover, 690 pages, $43). Mammoth examination of David Cronenberg’s 1979 film.
\n— CAROL LYNLEY: Her Career in Thrillers, Fantasy and Suspense<\/strong>, by Tom Lisanti (BearManorMedia, softcover, 770 pages, $39). The actress braved menaces on TV and in movies.
\n— CHRONOLOGY OF CLASSIC HORROR FILMS: The 1930s<\/strong>, by Donald C. Willis (Midnight Marquee, softcover, 348 pages, $30). Horror\u2019s cauldron, as it happened.<\/h6>\n
— THE CURSE OF SHERLOCK HOLMES: The Basil Rathbone Story<\/strong>, by David Clayton (History Press, hardcover, 192 pages, $27.95) Actor\u2019s struggle to go beyond the Great Detective\u2019s image.
\n— DRACULA A.D. 1931: Bela, Browning and the Birth of the American Horror Film<\/strong>, by Matthew Coniam (Hemlock, softcover, 182 pages, $45). Tracing the origins of film horror.
\n— FLASH GORDON: The Official Story of the Film<\/strong>, by John Walsh (Titan, hardcover, 192 pages, $50). Inside look at the 1980 space opera, which was often improvised on set.
\n— FRIGHT FAVORITES: 31 Movies To Haunt Your Halloween and Beyond<\/strong>, by David J. Skal (Running Press, hardcover, 216 pages, $24). Selections from a master fright historian.
\n— HAUNTER\u2019S TALE II<\/strong>, edited by J. Michael Roddy (Harker Press, softcover, 504 pages, $19.95). Stories, interviews and remembrances of haunts, ghosts and creators.<\/h6>\n
— HOLLYWOOD\u2019S HARD-LUCK LADIES<\/strong>, by Laura Wagner (McFarland, softcover, 233 pages, $39.95). Chronicling 23 actresses who suffered early deaths, accidents and other setbacks.
\n— ITALIAN HORRORS<\/strong>, edited by Allan Bryce (Ghoulish, softcover, 200 pages, $38). Dark Side staff traces impact from 1950s to 1980s.
\n— IT CAME FROM<\/strong> \u2026 The Stories and Novels Behind Classic Horror, Fantasy and Science Fiction Films<\/strong>, by Jim Nemeth and Bob Madison (Midnight Marquee, softcover, 340 pages, $30). The tales that gave birth to modern retellings.
\n— MAKING OF THE MOVIE JAWS<\/strong> (revised edition), by Edith Blake (BearManorMedia, softcover, 228 pages, $24). Expanded edition, new photos.
\n— MAX STEINER: The Epic Life of Hollywood\u2019s Most Influential Composer<\/strong>, by Steven C. Smith (Oxford University, hardcover, 496 pages, $34.95). How the music for King Kong and other films changed storytelling on film.
\n— MONSTER MOVIES<\/strong>, by David J. Schow (Cimarron Street, softcover, 279 pages, $14.95). Watching horror movies can shatter the boundaries of late night TV.<\/h6>\n
— MUSINGS ON MONSTERS: Observations on the World of Classic Horror<\/strong>, edited by Rich Handley and Lou Tambone (Sequart, softcover, 310 pages, $19.99). Twenty essays explore the power of our favorite monster myths.
\n— NO SYMPATHY FOR THE VAMPIRE<\/strong>: The Film World of Bela Lugosi, by Peter H. Brothers (CreateSpace, softcover, 272 pages, $18) Going beyond Dracula, analyzing 70 Lugosi film roles.
\n— 1,000 WOMEN OF HORROR, 1895-2018<\/strong>, by Alexandra Heller-Nicholas (BearManorMedia, softcover, 600 pages, $44). Spotlighting women on camera and behind the scenes, many too often overlooked. Includes extended interviews.
\n— POE PICTURES<\/strong>, by Bruce G. Hallenbeck (Tomahawk Press, hardcover, 256 pages, $35). Every Poe adaptation, from silent to today.
\n— RAY HARRYHAUSEN, Titan of Cinema,<\/strong> by Vanessa Harryhausen (National Galleries of Scotland, softcover, 208 pages, $37.50). Stories behind models and effects in a planned exhibition.<\/h6>\n
— ROGER CORMAN\u2019S NEW WORLD PICTURES: An Oral History (1970-1983), Vols. 1 and 2<\/strong>, by Stephen B. Armstrong (BearManorMedia, softcovers, 232 pages\/176 pages, $25 each). Covers more than 100 films including 37 interviews.
\n— SCIENCE OF WOMEN IN HORROR<\/strong>, by Meg Hafdahl and Kelly Florence (Skyhorse, softcover, 264 pages, $14.99). From stunts to special effects, the stories behind female monsters and heroes.
\n— SCORED TO DEATH 2: More Conversations with Some of Horror\u2019s Greatest Composers<\/strong>, by J. Blake Fichera (Silman-James Press, softcover, 492 pages, $24.95). Talking with Bear McCreary, Holly Amber Church, Richard Band, 13 others.
\n— SPOTLIGHT ON HORROR<\/strong>, edited by Eric McNaughton and Darrell Buxton (We Belong Dead, softcover, 408 pages, $56). The impact of 160 classic films.
\n— WOMEN MAKE HORROR<\/strong>, edited by Alison Peirse (Rutgers University, softcover, 270 pages, $29.95). Collected essays on horror\u2019s female perspectives.
\n— Or write in another choice:<\/h6>\n
———————————————————-<\/h6>\n
12) BEST HORROR ART BOOKS<\/strong> (new category)<\/em><\/h6>\n
— THE ART OF PULP HORROR: An Illustrated History<\/strong>, by Stephen Jones (Applause, hardcover, 256 pages, $40). Cheap pulp magazines carried some of the century\u2019s most horrific fantasies.
\n—\u00a0FANTASTIC PAINTINGS OF FRAZETTA<\/b>, by J. David Spurlock (Vanguard, hardcover, 120 pages, $34). Jumbo-sized collection of the master of fantasy art.
\n— THE HISTORY OF EC COMICS,<\/strong> by Grant Geissman (Taschen, hardcover, 592 pages, $200). Thousands of illustrations, complete cover gallery and text.
\n— HUNG, DRAWN AND EXECUTED<\/strong>: The Horror Art of Graham Humphreys <\/strong>(Korero Press, hardcover, 176 pages, $45). Forty years of posters and chilling images.
\n— PETE VON SHOLLY\u2019S LOVECRAFT ILLUSTRATED,<\/strong> (Clover Press, softcover, 208 pages, $29.99). The artist reimagines Old Ones, Cthulhu and other unthinkables.<\/h6>\n
— ROD SERLING\u2019S NIGHT GALLERY: THE ART OF DARKNESS<\/strong>, by Scott Skelton and Jim Benson (Creature Features, hardcover\/softcover, 316 pages, $75\/$95). Commentary and reproductions of every painting used in the series.
\n— THE SKETCHY THINGS COLORING BOOK<\/strong>, by Frank Dietz (Independent, softcover, 123 pages, $25). For Monster Kids of all ages, the artist\u2019s latest captures beasts and beauties.
\n— VEREOR NOX: THE MONSTER ART OF FREDERICK COOPER<\/strong> (Softcover, 152 pages, $29.95). Collecting classic images of classic favorites.
\n— Or write in another choice:<\/h6>\n
13) BEST MAGAZINE OF 2020<\/strong><\/h6>\n
<\/h6>\n
— Bare*Bones
\n— Cinema Retro (UK)
\n— Classic Monsters of the Movies (UK)
\n— The Dark Side (UK)
\n— Delirium
\n— Fangoria
\n— Filmfax
\n— Freaky Monsters
\n— G-Fan
\n— HorrorHound<\/h6>\n
— Infinity (UK)
\n— Little Shoppe of Horrors
\n— Monster Bash
\n— Monster Maniacs
\n— Phantom of the Movies Videoscope
\n— Retro Fan
\n— Rue Morgue<\/h6>\n
— Scary Monsters
\n— Scream (UK)
\n— Screem
\n— Shock
\n— We Belong Dead (UK)
\n— Or write in another choice:<\/h6>\n
14) BEST ARTICLE<\/strong> (Please select two<\/strong>; one will win)<\/h6>\n
— \u2018Assisting Brian DePalma: Working on Dressed to Kill,\u2019<\/strong> by Sam Irvin,
\nB–BS AND BLOOD #4. Personal memories, photos of working with the director on several films.
\n— \u2018Black Horror; History on the Big Screen,\u2019<\/strong> by Ernie Rockelman, HORRORHOUND #84. Tracking black horror milestones.
\n— \u2018The Brains of Hammer,\u2019<\/strong> by Mark C. Glassy, Ph.D, SCARY MONSTERS #116. When grey matter went beyond Frankenstein.
\n— \u2018The Carl Laemmles: The Birth of Hollywood Horror,\u2019 <\/strong>by Alex Hopkins, CLASSIC MONSTERS ANNUAL 2020. The father and son who popularized the horror film.
\n— \u2018Carnival of Souls: Haunting Viewers for Six Decades,\u2019 <\/strong>by Jason Strangis, SCARY MONSTERS #118.\u00a0 Some films are unforgettable.
\n— \u2018The Cat Creeps While the Canary Sleeps,\u2019 <\/strong>by Gary D. Rhodes, WE BELONG DEAD #24. Early horrors examined.<\/h6>\n
— \u2018Dee Dennings,\u2019 <\/strong>daughter of Richard Dennings & Evelyn Ankers, by Tom Weaver, an interview with exclusive family photos, CLASSIC IMAGES #545
\n— \u2018Dynamation Man of the Century,\u2019 <\/strong>by Mark Mawston, SCARY MONSTERS #119. Celebrating Ray Harryhausen\u2019s 100th Birthday.
\n— \u2018The Fabulous Worlds of Karel Zeman,\u2019<\/strong> by Woodson Hughes, FILMFAX #157. The surreal animations of the Czech filmmaker.
\n— \u2018Fears of a Clown,<\/strong>\u2019 by Doug Young, THE DARK SIDE #212. The grinning madman of The Man Who Laughs.
\n— \u2018Growing Up with Al Adamson\u2019s Dracula vs. Frankenstein,\u2019<\/strong> by Howard S. Berger, DELIRIUM #23. Celebrating a too often reviled film.
\n— \u2018Horror Comics, National Lampoon Style,\u2019 <\/strong>by Tom Tesarek, MONSTER MANIACS #1. The magazine\u2019s surprisingly horrific parodies.<\/h6>\n
— \u2018Horror Fan for Life,\u2019 <\/strong>by BJ Colangelo, FANGORIA #7. How horror movies help fan Kelly Barlow fight through illness.
\n— \u2018The House of the Long Shadows,<\/strong>\u2019 by Mark A. Miller and David J. Hogan, FILMFAX #156. Was Price-Cushing-Lee-Carradine film doomed to failure, or simply misunderstood.
\n— \u2018The Hyman Horrors,\u2019<\/strong> by Dennis Meikle and Bruce G. Hallenbeck, LITTLE SHOPPE OF HORRORS #44. Producer Kenneth Hyman\u2019s Hounds of Baskervilles, Strangler of Bombay and Terror of Tongs.
\n— \u2018The Invisible Man: A HorrorHound Retrospective,<\/strong>\u2019 by Jon Kitley, HORRORHOUND #86. Tracks in the cinema snow.
\n— \u2018Is Godzilla a She?\u2019<\/strong>, by Lucas Diano, G-FAN #129. Different theories on how Godzilla identifies.
\n— \u2018I Survived a Night in the House on Haunted Hill,\u2019 <\/strong>by Rod Labbe, SCARY MONSTERS #117. The scare of a childhood.<\/h6>\n
— \u2018Lewton vs. Breen,\u2019<\/strong> by Clive Dawson, THE DARK SIDE #210. The close but tense relationship between Val Lewton and Hollywood censor Joseph Breen.
\n— \u2018Lost, Found, and Finally Unbound: The Strange History of the 1910 Edison Frankenstein,\u2019<\/strong> by Kelly Robinson, RUE MORGUE #194.
\n— \u2018The Making of Revenge of Frankenstein,<\/strong>\u2019 by Bruce G. Hallenbeck, LITTLE SHOPPE OF HORRORS #45. The most sophisticated of the Hammer Frankensteins.
\n— \u2018Monsters of Oz: Is the Wizard of Oz a Monster Movie?\u2019 <\/strong>by Frank J. Dello Stritto, MONSTER BASH #40. Witches and monkeys and danger, oh my.
\n— \u2018The Old Dark House,\u2019<\/strong> by Nige Burton, CLASSIC MONSTERS OF THE MOVIES #18. Inside James Whale\u2019s gothic comedy.
\n— \u2018Plague,\u2019<\/strong> by Rodrigo Gudino, RUE MORGUE #395. Pandemics and horror have a long history.<\/h6>\n
— \u2018Red Planet Hollywood: The Martian Chronicles on Screen,\u2019 <\/strong>by Matthew R. Bradley, BARE<\/em>*BONES #1. The NBC miniseries and what followed.
\n— \u2018Return of the Giant Monsters: Musings on the 21st<\/sup> Century\u2019s Remarkable Kaiju Comeback,\u2019 <\/strong>by Bill Bussone, G-FAN #127. Why giant monsters are bigger than ever.
\n— \u2018Roddy McDowell\u2019s IT,\u2019<\/strong> by Matthew Banks, SCARY MONSTERS #118. The strange \u2018Golem\u2019 movie from 1967.
\n— \u2018Sick! Savage! Sensual! The Life and Ghastly Death of Al Adamson,\u2019 <\/strong>by Michael Gingold, RUE MORGUE #193.
\n— \u2018Ten Years of the Miskatonic Institute of Horror Studies: An Oral History,\u2019 <\/strong>by Meredith Borders, FANGORIA #7. Inside horror\u2019s house of learning.
\n— \u2018Transformation: How Godzilla Became Godzilla King of the Monsters,\u2019 <\/strong>by J.D. Lees, G-FAN #127. The business deals behind the American version of Gojira.<\/h6>\n
— \u2018Trilogy of Terror,\u2019<\/strong> by Jim Ivers, SCARY MONSTERS #117. Incubus, Equinox and Season of the Witch make an odd trio indeed.
\n\u2014 \u2018When Clothes Made the Monster,\u2019<\/strong> by George Humenik, SCARY MONSTERS #119. Who were they wearing on the Universal sets? With a sidebar on Vera West.
\n— \u2018When the Phantom Crashed My Life: A Universal Monsters Awakening,<\/strong>\u2019 by Ansel H. Faraj, WE BELONG DEAD #24. Beginnings of a Monster Kid.
\n— \u2018Wild Women with Steak Knives: The Weird World of Women\u2019s Horror Filmmaking,\u2019<\/strong> by Alexandra Heller-Nicholas, FANGORIA #8.
\n— Or write in another choice:
\n(You can vote for two<\/strong> in the above category)<\/h6>\n
15) Best Interview <\/strong>(award goes to interviewer)<\/em><\/h6>\n
— Bruce Campbell<\/strong> by Dr. Gangrene, SCARY PRESENTS MONSTER MEMORIES (#116)
\n— Nia Dacosta<\/strong> (Candyman director) by Andrea Subissati, RUE MORGUE #194
\n— Sybil Danning<\/strong> by Chris Alexander and Lee Gambin, DELIRIUM #22.
\n— Donnie Dunagan<\/strong> (Son of Frankenstein, Bambi), by Steven Turek, DieCast Movie Podcast, Ep. 12.
\n— Dave Franco<\/strong> (director of The Rental), by Seth Rogen, FANGORIA #8.<\/h6>\n
— Massimo Antonello Geleng<\/strong>, art director on Italian horrors, by Callum Waddell, THE DARK SIDE #213.
\n— Rose Glass<\/strong>, director of Saint Maud by Danny Boyle, FANGORIA #7.
\n— Gary Kent<\/strong>, stuntman, by Terry & Tiffany DuFoe, VIDEOSCOPE #113.
\n— Jonathan Miller and Lawrence Gordon Clark <\/strong>(directors of adaptations of M.R. James stories), by Tony Earnshaw, THE DARK SIDE #213
\n— Greg Nicotero<\/strong> (Creepshow TV), by Drew Tinnin, Dread Central<\/h6>\n
— Julie Ann Ream<\/strong> (niece of Glenn Strange), by Dan Johnson, RETROFAN #11.
\n— David J. Schow<\/strong>, author, by Frank H. Woodward, FILM SENSE podcast.
\n— David Selby<\/strong> (Dark Shadows), by Rod Labbe, RETROFAN #11.
\n— Richard Stanley<\/strong>, Color Out of Space director, by Jay Kay, HORRORHOUND #81.<\/h6>\n
— Barbara Steele<\/strong>, career interview by David Cairns and Daniel Riccuito, SIGHT & SOUND, Nov., 2020.
\n— Tony Todd<\/strong> by Jessica Dwyer, HORRORHOUND #84
\n— Joe Zito\/Barney Cohen<\/strong> (Friday the 13th<\/sup> Part 4), by Preston Fassel. Dread Central online.
\n— Or write in another choice:<\/h6>\n
16) Best Column<\/strong><\/h6>\n
— Corrupt Signals, by Preston Fassel, FANGORIA
\n— Exordium, by Michael Gingold, FANGORIA
\n— Files from the Black Museum, by Paul Corupe, RUE MORGUE
\n— Grey Matters, by Richard J. Schellbach, Mondo Cult Online
\n— It Came from Bowen\u2019s Basement, John Bowen, RUE MORGUE
\n— Kaiju Korner, by Mike Bogue, SCARY MONSTERS<\/h6>\n
— Kim Newman\u2019s Dungeon, THE DARK SIDE
\n— Ralph\u2019s One & Only Traveling Reviews, by Richard Klemensen, LITTLE SHOPPE OF HORRORS
\n— R&D, David J. Schow, BARE*BONES
\n— Rondo Remembers, by Ron Adams, MONSTER BASH
\n— Scene Queen, by Barbara Crampton, FANGORIA
\n— Strange Days by Jason Strangis, SCARY MONSTERS
\n— They Came from the Krypt, by Jon Kitley, HORRORHOUND
\n— Or write in another choice:<\/h6>\n
17) BEST MAGAZINE COVER<\/strong><\/h6>\n\n\n\n\n\n\n\n\n\n\n\n\n
\n
\"\"<\/a><\/em>bare<\/em>*bones #4
\nDesign by John Scoleri<\/h6>\n<\/td>\n
\n
\"\"<\/a><\/h6>\n
Classic Monsters
\nof the Movies #21
\nby Daniel Horne<\/h6>\n<\/td>\n<\/tr>\n
\n
\"\"<\/a>The Dark Side #211
\nby Rick Melton<\/h6>\n<\/td>\n
\n
\"\"<\/a>Delirium #25
\nby Ryan Brookhart<\/h6>\n<\/td>\n<\/tr>\n
\n
\"\"<\/a>Fangoria Vol, 2, #8 by Nathan Milliner<\/h6>\n<\/td>\n<\/tr>\n
\n
\"\"<\/a>Filmfax #156
\nUnused publicity shot for LIFE magazine<\/h6>\n<\/td>\n
\n
\"\"<\/a>Freaky Monsters #33
\nby Arliss<\/h6>\n<\/td>\n<\/tr>\n
\n
\"\"<\/a>G-Fan #128 by Mark Dos Santos<\/h6>\n<\/td>\n
\n
\"\"<\/a>HorrorHound #86 by Jason Edmiston<\/h6>\n<\/td>\n<\/tr>\n
\n
\"\"<\/a>Little Shoppe of Horrors #44 by Mark Maddox<\/h6>\n<\/td>\n
\n
\"\"<\/a>MAD #16
\nby Bob Lizarraga<\/h6>\n<\/td>\n<\/tr>\n
\n
\"\"<\/a>Monster Bash #39 by Basil Gogos<\/h6>\n<\/td>\n
\n
\"\"<\/a>Monster Maniacs #1 by Bill Cunningham<\/h6>\n<\/td>\n<\/tr>\n
\n
\u00a0\"\"<\/a>Scary Monsters #118 (Glow in the Dark) by Scott Jackson<\/h6>\n<\/td>\n<\/tr>\n
\n
\"\"<\/a>Rue Morgue #193
\nby Graham Humphreys<\/h6>\n
<\/h6>\n<\/td>\n
\n
\"\"<\/a>Scream #58
\nDesign by Imran Kelly<\/h6>\n<\/td>\n<\/tr>\n
\n
\"\"<\/a><\/h6>\n
We Belong Dead #24
\nby Daryl Joyce<\/h6>\n
<\/h6>\n
<\/h6>\n<\/td>\n
<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
— Or write in another cover choice:<\/h6>\n
18) BEST WEBSITE OF 2020<\/strong><\/h6>\n
— Anatomy of a Scream<\/a> Horror from an inclusive perspective.
\n— Attack From Planet B<\/a>\u00a0 A horror and sci-fi news wire.
\n— BlackHorrorMovies<\/a>\u00a0\u00a0 Too long ignored, revelations abound.
\n— Bloody Disgusting<\/a>\u00a0 Tracking horror across all platforms.
\n—\u00a0Bloody Pit of Rod<\/a>\u00a0 \u00a0Musings on monsters and horror.
\n—\u00a0Collinsport Historical Society<\/a>\u00a0 Barnabas shall never die.
\n— Confessions of a Cineslut <\/a>\u00a0Kat Ellinger’s\u00a0 savvy reviews.<\/h6>\n
—\u00a0Daily Dead<\/a>\u00a0 An all-service horror site.
\n— Daily Grindhouse<\/a>\u00a0 News and interview from horror\u2019s edges.
\n—\u00a0David’s Basement of the Bizarre<\/a>\u00a0 Just about every horror need.
\n—\u00a0Diabolique<\/a>\u00a0 Online magazine includes Daughters of Darkness.
\n—\u00a0Dread Central<\/a>\u00a0Horror\u2019s front page.
\n—\u00a0Dr. Gangrene’s Mad Blog<\/a>\u00a0 Deep dives into old horrors.
\n—\u00a0Final Girl<\/a>\u00a0 Stacie Ponder’s cinema survival guide.
\n— The Frankenstein Lens<\/a>\u00a0 Monster scholarship, unseen photos.
\n— The Homicidal Homemaker <\/a>\u00a0Home economics meets horror!<\/h6>\n
— Horror and Sons<\/a> Classics to modern horror, reviews and more.
\n—\u00a0It Came From …<\/a> Musings from nostalgia curator David Weiner.
\n— Kaiju Battle<\/a>\u00a0 Latest news from the world of giant monsters.
\n— Kindertrauma<\/a> Your childhood ends here.
\n— Latarnia Fantastique<\/a>\u00a0 Euro and world horrors.
\n— Mondo Cult<\/a>\u00a0 Horror is just the beginning.
\n— Monster Kid Clubhouse <\/a>\u00a0A gathering place for classics.
\n— Monster Pieces<\/a> George \u2018E-Gor\u2019 Chastain\u2019s gallery of illustrations.<\/h6>\n
—\u00a0Monsters After Midnight<\/a>\u00a0 A monster magazine approach.
\n—\u00a0Ravenous Monster<\/a>\u00a0Devouring all things monstrous.
\n—\u00a0Scared Silly<\/a>\u00a0\u00a0Paul Castiglia\u2019s tribute to classic horror comedies.
\n—\u00a0Sin Street Sleaze<\/a>\u00a0 John Harrison walks the backstreets of horror.
\n—\u00a0Universal Horror & Classic Creature<\/a>s\u00a0A Facebook page with rare photos and more.
\n—\u00a0Universal Monster Army<\/a>\u00a0 Ultimate destination for models, toys, collectibles.
\n—\u00a0Video WatchBlog<\/a>\u00a0 Tim Lucas on the magic of cinema and life.
\n—\u00a0World of Monsters<\/a>\u00a0 Formerly Monster Magazine World.
\n— Or write in another choice:<\/h6>\n
19) BEST MULTI-MEDIA SITE <\/strong>(Podcasts, video)<\/em><\/h6>\n
—\u00a0Bill Makes Podcasts<\/a>\u00a0 William Mize talks the fantastic.
\n—\u00a0Bloodbath and Beyond<\/a>\u00a0 Reviews, interviews, unboxings.
\n—\u00a0B-Movie Cast<\/a>\u00a0Long-running podcast still going strong.
\n—\u00a0Colors of the Dark<\/a>\u00a0 Rebekah McKendry and Elric Kane return.
\n—\u00a0Count Gore De Vol’s Creature Feature<\/a>\u00a0Dungeon offers films, interviews, contests and rarities.
\n—\u00a0Cult Radio a Go-Go<\/a>\u00a0 Pioneers of the horror-talk genre.
\n—\u00a0Dinosaur Dracula<\/a>\u00a0A wild take on monsters and mayhem.
\n—\u00a0Eerie Late Night Radio<\/a>\u00a0 Home of THE MONSTER CHANNEL.<\/h6>\n
— The Evolution of Horror <\/a>\u00a0Podcasts trace roots of horror.
\n—\u00a0Frankenstein Minute<\/a>\u00a0 \u00a0Podcast now dissecting BRIDE (1935) minute by minute.
\n—\u00a0Gilbert Gottfried’s Amazing Colossal Podcast<\/a>\u00a0Lots of talk about monsters and creepy Hollywood.
\n— Hellbent for Horror<\/a> Smart podcasts with authors and talents.
\n— Last Podcast on the Left<\/a>\u00a0 All things horrific.
\n—\u00a0Literary License Podcast<\/a>\u00a0 Tracing journeys from book to screen.
\n— Made for TV Mayhem<\/a> Amanda Reyes tunes in television terror.
\n— Mobile Horror Companion<\/a> Horror podcast to take with you.<\/h6>\n
— Monster Attack<\/a>\u00a0 Jim Adams\u2019s podcast focuses on classic monster movies.
\n—\u00a0Monster Kid Radio<\/a> Derek Koch dissects classic horrors.
\n— The Movie Crypt<\/a>\u00a0 Adam Green, Joe Lynch talk artist-to-artist.
\n— Movie Meltdown<\/a> Geeks talk cinema old and new.
\n— Naschycast<\/a>\u00a0 Troy Guinn, Rod Barnett know their Naschy.
\n—\u00a0Night of the Living Podcast<\/a>\u00a0 Long-running horror podcast.
\n— Nightmare on Film Street<\/a>\u00a0 Provocative takes on horror.
\n—\u00a0Octoberpod Thanksgiving Road Trip<\/a>\u00a0 Edward October’s chilling audio drama.
\n— The Online Movie Show<\/a>\u00a0 Phil Hall\u2019s takes on Hollywood.<\/h6>\n
— OSI74<\/a> Homebase for horror hosts old and new.
\n— Planet 8<\/a> Podcast of the fantastic.
\n— Post Mortem with Mick Garris<\/a> Interviews with top fantasy creators.
\n— The Projection Booth<\/a> Horror from high above the balcony.
\n— Ray Harryhausen Podcast<\/a> Latest from the Ray Harryhausen Foundation.
\n— Record All Monsters<\/a>\u00a0 Family doesn’t run from giant monsters.
\n— Redfield Arts Audio <\/a>\u00a0Poe, Lovecraft, Sinbad and more.
\n— Spooky Dudes Podcast<\/a>\u00a0 The edgier side of horror films.<\/h6>\n
— Trailers from Hell<\/a> Joe Dante and friends host vintage trailers.
\n— Twilight Zone Podcast<\/a>\u00a0 There\u2019s the podcast up ahead.
\n— Vid-O-Rama<\/a>\u00a0 Arfon Jones paints tributes to VHS era.
\n— The Vortexx<\/a> A gathering of horror hosts.
\n— Or write in another choice:<\/h6>\n
20) BEST VIRTUAL EVENTS OF 2020<\/strong><\/h6>\n
— BIRTH OF THE AMERICAN HORROR FILM<\/strong>. Virtual lecture from Orange County Library by Gary D. Rhodes, discussing his book.
\n\u00a0— BLOBFEST<\/strong>: Virtual events included Best Theatre Runouts of the past, Blob screenings, Miss Blobfest contest, online vendors.
\n— CELEBRATING RAY HARRYHAUSEN AT 100:<\/strong> Online events included global chat during Jason & Argonauts, fan survey of his top creatures, panel discussions.
\n— ETHERIA FILM FESTIVAL<\/strong>: Usually held in Hollywood, nine short films aired on Shudder, and digital discussions later.
\n— HAUNTED BARN LIVE:<\/strong>\u00a0Joey Vento’s films and prop displays streamed live.<\/h6>\n
— HORROR HOST LIVE (DEAD) PANEL<\/strong>: Streaming discussion of hosts past and present with Doctor Fearless, Marlena Midnight, Ormon Grimsby and Prof. Griffin.
\n— KAIJU CONLINE<\/strong>: From King Kong Escapes to Ultraman panels, kaiju fans had free access to an online experience.
\n— MISKATONIC INSTITUTE OF HORROR STUDIES<\/strong>: Online presentations of sessions on Lovecraft, Women and Made-for-TV movies, Pete Walker and more.
\n— MONSTERAMA VIRTUAL CON<\/strong>: Three days of panels and interviews with Masters of the Outer Limits, Dracula historians, filmmakers, comic book legends and more.
\n— MONSTERS: The Life and Afterlife of Monstrous Creatures<\/strong>: Anderson University (SC), multimedia course by Dr. Candace Weddle Livingston introduces vintage horror to students.<\/h6>\n
— NYC HORROR FILM FESTIVAL: <\/strong>Instead of theaters, 61 films plus panels offered on Eventive, Roku and Apple TV.
\n— THE SCREAMING SKULL<\/strong>: Made-for-TV movie with David McCallum streamed free by UCLA Library Film and TV Archive.
\n— SCRIPTS GONE WILD<\/strong>: All-star table readings online of Star Trek, Bride of Frankenstein, Gremlins and Stripes. Beer, too.
\n— TRANSYLVANIA TONIGHT<\/strong>: Cabinet of Dr. Caligari streamed with newly assembled soundtrack and title cards by Countess Carita (Stefanie Kokai).
\n— Or write in another choice:<\/h6>\n
21) FAVORITE HORROR HOSTS OF 2020<\/strong><\/h6>\n
— Al Omega (Creature Features)
\n— Arachna of the Spider People (Beware Theatre)
\n— Baron Mondo, El Sapo and Mittens (Nightmare Theatre)
\n— Big Chuck and Lil John (Cleveland)
\n— Bobby Gammonster (MonsterMovieNight)
\n— Bone Jangler and Nocturna (The Monster Show)
\n— Count Gore DeVol (Creature Feature)
\n— Deadwest (animated host of Screaming Soup)
\n— Drac and Countess Carita (Transylvania Tonight)
\n— Dr. Gangrene (Cinetarium)
\n— Dr. Paul Bearer (Tombstone Tales)<\/h6>\n
— Elvira (Mistress of the Dark)
\n— Fritz the Nite Owl (Channel Z)
\n— Gruesome Graves (Haunted Hotel)
\n— Halloween Jack (Haunted Theatre)
\n— Ivonna Cadaver (Macabre Theatre)
\n— Joe Bob Briggs and Darcy the Mail Girl (Last Drive-In)
\n— Karlos Borloff (Monster Madhouse)
\n— Keymaster Slasher Poe (Dead Vault Horror Show)
\n— Lamia, Queen of the Dark (Horror Hotel)
\n— Lilith Von Bloodworth (Mondo Creepy TV)<\/h6>\n
— Lord Blood-Rah (Nerve Wrackin\u2019 Theatre)
\n— Marlena Midnight (Midnight Mausoleum)<\/h6>\n
— Miss Misery (Movie Massacre)
\n— Mr. Lobo (Cinema Insomnia)
\n— Nigel Honeybone (Schlocky Horror Picture Show, Australia)
\n— Octavian Hallow (Haven Falls Horror Fixx)
\n— Penny Dreadful (Shilling Shockers)
\n— The Mummy and the Monkey (Hairy Scary Hangout)
\n— Ritchie & Triv (The Midnight Movie)
\n— Son of Ghoul (Ohio)
\n— Svengoolie (Me-TV)
\n— Vincent Van Dahl (Creature Features)
\n— Zelda, Bird & Theo (Off-Beat Cinema)
\n— Or write in another choice:<\/h6>\n
<\/h6>\n
22) BEST GRAPHIC NOVELS OR COLLECTIONS<\/strong><\/h6>\n
— BASKETFUL OF HEADS<\/strong>, by Joe Hill and Leomacs (DC hardcover) A woman on a bridge in the rain, with a basket.
\n— BRAM STOKER\u2019S DRACULA STARRING BELA LUGOSI<\/strong>, by El Garing, Kerry Gammill, Richard Starkings, Robert Napton (Legendary Comics hardcover). Authorized by the Lugosi estate, he stars in a retelling of the classic tale.
\n— COUNT CROWLEY: Reluctant Midnight Monster Hunter<\/strong>, by David Dastmalchian and Lukas Ketner. (Dark Horse, softcover). A horror host finds part of her job is not a joke.
\n— THE CREEPS SPOOKTACULAR <\/b>(Warrant). Annual collection of best stories from Warren-like magazine.
\n— EDGAR ALLAN POE\u2019S SNIFTER OF BLOOD Vol. 5<\/strong>, by Paul Cornell, Kek and Alan Robinson (Ahoy, softcover). Original takes on Poe\u2019s grim library.
\n— FRIGHTMARE CITY<\/strong>, by AC Turner and variety of artists. Web comic explores the fearful secrets of New York City.<\/h6>\n
— HELLBOY: The Return of Effie Kolb<\/strong> (Dark Horse softcover), by Mike Mignola and Zach Howard. A visit to Appalachia.
\n— THE ICE CREAM MAN, Vol. 5: Other Confections<\/strong>, by W. Maxwell Prince, Martin Morazzo (Image softcover) Strange flavors indeed on his neighborhood rounds.
\n— JOHN CARPENTER\u2019S TALES FOR A HALLOWEEN NIGHT, VOL. 6<\/strong>, edited by Sandy King. (Storm King, softcover). Variety of creators offer chilling stories.
\n— KILLADELPHIA: Sins of the Father, Vol. 1<\/strong>, by Rodney Barnes and Jason Shawn Alexander (Image softcover). Hunting vampires in the birthplace of liberty.
\n— LON CHANEY SPEAKS<\/strong>, by Pat Dorian (Pantheon, hardcover). Recounting the true life of the Man of a Thousand Faces.<\/h6>\n
— STAY ALIVE<\/strong>, by James C. Harberson III, Mackie Wildwood, Stephen Baskerville (Markosia softcover). A struggling actress is target of a deadly reality show.
\n— STOKER AND WELLS<\/strong>, by Steven Peros and Barry Orkin (Our Gal Pictures, softcover, 96 pages, $19.99).\u00a0 In 1894, lives are changed when the two authors meet in London.
\n— Or write in another choice:<\/h6>\n
WRITE-INS<\/strong><\/h6>\n
23) WRITER OF THE YEAR <\/strong>(Whose work stood out in 2020?)<\/em><\/h6>\n
24) BEST ARTIST OF 2020 <\/strong><\/h6>\n
25) BEST FAN ARTIST OF 2020 <\/strong>(The Linda Miller Award)<\/em><\/h6>\n
SPECIAL CATEGORIES
\n<\/strong>Your votes here will help determine who receives these special awards:<\/em><\/h6>\n
26) MONSTER KID OF THE YEAR
\n<\/strong>This is Rondo\u2019s highest honor: Who did the most in 2020 to advance the cause of classic horror scholarship, film preservation or genre creativity?<\/em><\/h6>\n
27) SPECIAL RECOGNITION
\n<\/strong>\u00a0<\/strong>Who deserves special recognition for achievements that may have been overlooked or don\u2019t fit into other categories?<\/em><\/h6>\n
28) THE MONSTER KID HALL OF FAME
\n<\/strong>Name as many as six fans, pros, writers, artists, researchers, horror hosts or others who over the years have made a permanent mark on the world of classic horror appreciation. See full list of Hall of Famers here. <\/strong><\/a><\/em><\/h6>\n
————————————-<\/h6>\n
Whew! That\u2019s it. If you\u2019ve gotten this far you are a true Monster Kid. Especially in the Year of the Pandemic.<\/h6>\n
TO VOTE: INCLUDE YOUR NAME AND SEND YOUR PICKS TO taraco@aol.com<\/a>\u00a0 by April 25, 2021<\/strong>.<\/h6>\n
— VOTING TIPS: You can copy this ballot into an email and make your selections with an X, or in bold<\/strong>, or by highlight.\u00a0We know the ballot is awkward but a cut-and-paste into an email works fine.<\/h6>\n
— Or you can simply type your choices into the email.<\/h6>\n
— Remember, you do NOT have to vote in every category, and given this crazy year, write-ins are welcome. <\/strong><\/h6>\n
Thanks to everyone for their patience. Please stay behind the mask until things are safe again, and congratulations especially to all the nominees!<\/h6>\n
\"\"<\/a><\/h6>\n
Rondo Awards copyright 2021 by David Colton<\/em><\/h6>\n
\u00a0<\/em><\/h6>\n","protected":false},"excerpt":{"rendered":"

‘Invisible Man’ and ‘War of the Worlds,’ take top Rondo honors in record-breaking vote\u00a0 Ray Harryhausen’s daughter pens Book of the Year; Scott MacQueen is ‘Monster Kid of the Year; and Svengoolie wins again! FOR IMMEDIATE RELEASE By David Colton CHFB News ARLINGTON, VA. \u2013 Despite a crippling pandemic, shuttered theatres and canceled film productions,…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1084","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/rondoaward.com\/rondoaward.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1084","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rondoaward.com\/rondoaward.com\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rondoaward.com\/rondoaward.com\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rondoaward.com\/rondoaward.com\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rondoaward.com\/rondoaward.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1084"}],"version-history":[{"count":5,"href":"https:\/\/rondoaward.com\/rondoaward.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1084\/revisions"}],"predecessor-version":[{"id":1239,"href":"https:\/\/rondoaward.com\/rondoaward.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1084\/revisions\/1239"}],"wp:attachment":[{"href":"https:\/\/rondoaward.com\/rondoaward.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1084"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rondoaward.com\/rondoaward.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1084"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rondoaward.com\/rondoaward.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1084"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}