{"id":1010,"date":"2020-04-06T03:08:56","date_gmt":"2020-04-06T07:08:56","guid":{"rendered":"https:\/\/rondoaward.com\/rondoaward.com\/blog\/?p=1010"},"modified":"2021-03-07T00:57:45","modified_gmt":"2021-03-07T05:57:45","slug":"1010","status":"publish","type":"post","link":"https:\/\/rondoaward.com\/rondoaward.com\/blog\/?p=1010","title":{"rendered":"HERE ARE THE WINNERS OF THE (GASP!) 18TH ANNUAL RONDO HATTON CLASSIC HORROR AWARDS"},"content":{"rendered":"<div align=\"center\"><strong style=\"color: #111111; font-size: 1.75rem; letter-spacing: -0.01em;\"><span data-scefontsize=\"175\">&#8216;Joker,\u2019 \u2018Mandalorian\u2019 and 1979 &#8216;Dracula&#8217; <\/span><\/strong><strong style=\"color: #111111; font-size: 1.75rem; letter-spacing: -0.01em;\">take top honors in 18th Annual Rondo Awards<\/strong><\/div>\n<div>\n<h2 align=\"center\"><em><span data-scefontsize=\"175\">&#8216;Lady from the Black Lagoon&#8217; is Book of the Year;<br \/>\n<\/span><\/em><em><span data-scefontsize=\"175\">Director Jordan Peele is Monster Kid of the Year;<br \/>\n<\/span><\/em><em><span data-scefontsize=\"175\">and Svengoolie wins again!<\/span><\/em><\/h2>\n<div><\/div>\n<div><strong>FOR IMMEDIATE RELEASE<\/strong><\/div>\n<div><\/div>\n<div>By David Colton<\/div>\n<div>CHFB News<\/div>\n<div><\/div>\n<div>\u00a0 \u00a0ARLINGTON, VA. \u2013\u00a0 A monster in green hair and red lips dancing on the steps. A baby Yoda discovering the Force for the first time. A cool, cruel Dracula charming his soon-to-be dinner guests. And an unknown makeup woman of the 1950s helping to create a Creature for the ages. All these and more were honored today as the best of 2019 in the (Gasp!) 18th Annual Rondo Hatton Classic Horror Awards.<\/div>\n<div><\/div>\n<div>\u00a0\u00a0 From Criterion&#8217;s collection of 15 Godzilla movies to a startling confrontation between Karloff and Lugosi in 1934&#8217;s transgressive THE BLACK CAT, this year&#8217;s winners represent all facets of the classic horror experience. The nominees and winners also reflect the growing diversity and sophistication of today&#8217;s horror firmament.<\/div>\n<div><\/div>\n<div>\u00a0\u00a0\u00a0 Among top winners of the fan-based awards were JOKER (voted Best Film), THE MANDALORIAN (Best TV), and LADY FROM THE BLACK LAGOON (Book of the Year). Frank Langella&#8217;s under-appreciated DRACULA from 1979 was voted Best DVD\/Blu-Ray; HORROR NOIRE, an eye-opening and long overdue exploration of black horror films and black filmmakers, won Best Documentary; and a pair of articles from RUE MORGUE&#8217;s landmark &#8220;Queer Fear&#8221; issue topped the magazine categories.<\/div>\n<div><\/div>\n<div>\u00a0\u00a0 Director Joshua Kennedy&#8217;s unprecedented gathering of former Hammer stars &#8212; Veronica Carlson, Caroline Munro and Martine Beswicke &#8212; in HOUSE OF THE GORGON was voted Best Independent Film. And British film experts Jonathan Rigby and Kat Ellinger were among those inducted into the Monster Kid Hall of Fame.<\/div>\n<div><\/div>\n<div>\u00a0\u00a0 All these from a year that featured more magazines, books, websites and podcasts than ever before, along with an explosion of &#8220;classic horror&#8221; and modern Blu-Rays from Universal, Shout\/Scream, Kino, Criterion, Arrow, Severin, Indicator and many others.<\/div>\n<div><\/div>\n<div>\u00a0\u00a0 The Rondo Awards, named after Rondo Hatton, an obscure B-movie villain of the 1940s, honor the best in classic horror research, creativity and film preservation. This year\u2019s e-mail vote, conducted by the Classic Horror Film Board, a 25-year old online community, drew more than 4,700 ballots, the most ever in the largest survey of the classic horror genre held each year.<\/div>\n<div><\/div>\n<div>\u00a0\u00a0\u00a0 In individual categories, filmmaker Jordan Peele, director of GET OUT, US and producer of a new TWILIGHT ZONE series, was named Monster Kid of the Year, Rondo&#8217;s highest honor.\u00a0 Film historian Gregory William Mank was voted Best Writer, Mark Maddox again Best Artist and author Scott Gallinghouse was cited for his deep-dive biography of\u00a0 Rondo Hatton himself.<\/div>\n<div><\/div>\n<div>\u00a0\u00a0 Other winners ranged from comedian Gilbert Gottfried&#8217;s &#8220;Amazing Colossal Podcast&#8221; to an outpouring of votes for horror host Svengoolie, honored for 40 years on television.<\/div>\n<div><\/div>\n<div align=\"center\">\u00a0<img decoding=\"async\" src=\"https:\/\/s3.amazonaws.com\/images.yuku.com\/image\/jpeg\/c811564e7e8e42f5323c13b940636f147c63a06.JPG\" \/><\/div>\n<div><\/div>\n<div>\u00a0 Monster Kid Hall of Fame inductees included Rigby, Ellinger, the late author Robert Bloch, Greg Luce of Sinister Cinema, a pair of Cleveland horror hosts, the late Ghoul (Ron Sweed), and Son of Ghoul, artist George Chastain, and the zany clown-prince of horror, David &#8220;The Rock&#8221; Nelson.<\/div>\n<div><\/div>\n<div>\u00a0\u00a0Below you\u2019ll find all the winners, along with runners-up and honorable mentions. Many categories were very competitive, and numerous nominees not listed here nonetheless drew significant votes.<\/div>\n<div><\/div>\n<div>\u00a0 Below is a\u00a0photo of Hatton in the 1946 film, HOUSE OF HORRORS, which was an inspiration for the distinctive bust given to winners..<\/div>\n<div><\/div>\n<div align=\"center\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i636.photobucket.com\/albums\/uu89\/taraco53\/Rondo%20XII\/rondosmash_zpsbc982dd6.jpg\" width=\"301\" height=\"231\" \/><\/div>\n<div><\/div>\n<h3 align=\"center\"><strong><span data-scefontsize=\"150\">HERE ARE THE WINNERS IN THE<br \/>\n<\/span><\/strong><strong><span data-scefontsize=\"150\">(GASP!) 18th ANNUAL<br \/>\n<\/span><\/strong><strong><span data-scefontsize=\"150\">RONDO HATTON CLASSIC HORROR AWARDS<br \/>\n<\/span><\/strong><\/h3>\n<h3><\/h3>\n<div><strong>BEST FILM OF 2019<\/strong><\/div>\n<div><\/div>\n<div>JOKER<\/div>\n<div><a href=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/joker_edited-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1031\" src=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/joker_edited-1.jpg\" alt=\"\" width=\"250\" height=\"140\" \/><\/a><\/div>\n<div><\/div>\n<div>Runners-up: AVENGERS: ENDGAME, GODZILLA, KING OF THE MONSTERS<\/div>\n<div>Honorable mentions:PARASITE, DOCTOR SLEEP, MIDSOMMAR, LIGHTHOUSE<\/div>\n<div><\/div>\n<div><\/div>\n<div><strong>BEST TV PRESENTATION<\/strong><\/div>\n<div><\/div>\n<div>THE MANDALORIAN<\/div>\n<div><a href=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/mandalorian.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1032\" src=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/mandalorian.jpg\" alt=\"\" width=\"250\" height=\"141\" \/><\/a><br \/>\nRunners-up: WHAT WE DO IN THE SHADOWS, STRANGER THINGS 3<\/div>\n<div>Honorable mentions: AMERICAN HORROR STORY: 1984; CREEPSHOW<\/div>\n<div><\/div>\n<div><strong>BEST BLU-RAY\/DVD<\/strong><\/div>\n<div><\/div>\n<div>DRACULA (1979; Shout)<\/div>\n<div><a href=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/dracula-1979.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-1033\" src=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/dracula-1979-239x300.jpg\" alt=\"\" width=\"239\" height=\"300\" srcset=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/dracula-1979-239x300.jpg 239w, https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/dracula-1979.jpg 250w\" sizes=\"auto, (max-width: 239px) 100vw, 239px\" \/><\/a><br \/>\nRunner-up: THIS ISLAND EARTH (Shout)<\/div>\n<div>Honorable mentions: SILVER BULLET COLLECTOR&#8217;S EDITION (Shout);<\/div>\n<div>THE BODY SNATCHER (Shout); MURDERS IN THE RUE MORGUE (Shout);<\/div>\n<div>THE MAN WHO LAUGHS (Flicker Alley)<\/div>\n<div><\/div>\n<div><\/div>\n<div><strong>BEST COLLECTION<\/strong><\/div>\n<div><\/div>\n<div>GODZILLA: THE SHOWA ERA\u00a0 (15 films; Criterion)<\/div>\n<div><a href=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/GodzillaShowa.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-1034\" src=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/GodzillaShowa-241x300.jpg\" alt=\"\" width=\"241\" height=\"300\" srcset=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/GodzillaShowa-241x300.jpg 241w, https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/GodzillaShowa.jpg 250w\" sizes=\"auto, (max-width: 241px) 100vw, 241px\" \/><\/a><\/div>\n<div><\/div>\n<div>Runner-up: UNIVERSAL HORROR COLLECTION (Vol. 1): Black Cat, The Raven,<\/div>\n<div>Invisible Ray, Black Friday (Universal)<\/div>\n<div>Honorable mentions: THE FLY COLLECTION (Shout);<\/div>\n<div>THE OMEN COLLECTION (Shout); HAMMER VOLUME 4: Revenge of Frankenstein,<\/div>\n<div>Two Faces of Dr. Jekyll, Taste of Fear The Damned (Indicator);<\/div>\n<div>ALL THE COLORS OF GIALLO (Severin)<\/div>\n<div><\/div>\n<div><\/div>\n<div>\n<p><strong>BEST RESTORATION<\/strong><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<div>THE BLACK CAT (1934; Universal)<\/div>\n<div><a href=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/blackcat.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1035\" src=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/blackcat.jpg\" alt=\"\" width=\"250\" height=\"141\" \/><\/a><br \/>\nRunner-up: MASQUE OF THE RED DEATH (Academy Film Foundation<\/div>\n<div>Film Foundation; George Lucas Foundation)<\/div>\n<div>Honorable mentions: MAN WHO LAUGHS (Flicker Alley);<\/div>\n<div>THIS ISLAND EARTH (Shout); TRILOGY OF TERROR II (Kino)<\/div>\n<div><\/div>\n<div>\n<p><strong>BEST DVD EXTRA<\/strong><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<div>\u00a0&#8216;TWISTED TALE: The Unmaking of Spookies&#8217;<\/div>\n<div>by Michael Gingold and Glen Baisley<\/div>\n<div>(SPOOKIES; 1986; Vinegar Syndrome)<\/div>\n<div><a href=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/spookies.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1037\" src=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/spookies.jpg\" alt=\"\" width=\"250\" height=\"141\" \/><\/a><br \/>\nRunner-up: Kim Newman on Lon Chaney (MAN OF A THOUSAND FACES, Arrow)<\/div>\n<div>Honorable mentions: Castle Film versions of THIS ISLAND EARTH (Shout);<\/div>\n<div>&#8216;Of Mushrooms and Madmen,&#8217; directed by Daniel Griffiths (MOLE PEOPLE, Shout)<\/div>\n<div><\/div>\n<div><\/div>\n<div><strong>BEST COMMENTARY<\/strong><\/div>\n<div><\/div>\n<div>Tom Weaver, David Schecter, Dr. Robert J. Kiss (TARANTULA, Shout)<\/div>\n<div><a href=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/tomtrio.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-1036\" src=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/tomtrio-300x100.jpg\" alt=\"\" width=\"300\" height=\"100\" srcset=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/tomtrio-300x100.jpg 300w, https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/tomtrio.jpg 450w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><br \/>\nRunners-up: Gregory Mank (BLACK CAT, Universal); Tim Lucas (DEAD OF NIGHT, Kino)<\/div>\n<div>Honorable mentions: Robert Skotak (THIS ISLAND EARTH, Shout);<\/div>\n<div>Amanda Reyes (DON&#8217;T BE AFRAID OF THE DARK, Warners); Lee Gambin (CUJO, Eureka);<\/div>\n<div>Gary Rhodes (MURDERS IN THE RUE MORGUE, Shout); Kit Ellinger (ALL THE COLORS OF GIALLO, Severin)<\/div>\n<div><\/div>\n<div><strong>BEST PACKAGE OF DVD EXTRAS<\/strong><\/div>\n<div><\/div>\n<div>GODZILLA: THE SHOWA ERA (Criterion)<\/div>\n<div>Interviews include director Ishira Honda, unused footage.<\/div>\n<div><a href=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/ishiro-honda_01.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1038\" src=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/ishiro-honda_01.jpg\" alt=\"\" width=\"250\" height=\"130\" \/><\/a><br \/>\nRunner-up: THE FLY: Five new interviews (Shout)<\/div>\n<div>Honorable mentions: A BUCKET OF BLOOD: Interviews, list of dropped scenes (Olive);<\/div>\n<div>DRACULA (1979): 8 new interviews (Shout); SCARS OF DRACULA: Two aspect ratios\u00a0 (Shout)<\/div>\n<div><\/div>\n<div><strong>BEST INDEPENDENT FILM<\/strong><\/div>\n<div><\/div>\n<div>HOUSE OF THE GORGON, directed by Joshua Kennedy,<\/div>\n<div>with Caroline Munro, Martine Beswicke, Veronica Carlson<\/div>\n<div><a href=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/gorgon.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1040\" src=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/gorgon.jpg\" alt=\"\" width=\"250\" height=\"127\" \/><\/a><br \/>\nRunners-up: LOON LAKE; ONE CUT OF THE DEAD<\/div>\n<div>Honorable mentions: NIGHTMARE CINEMA; HE DRIVES AT NIGHT; RABID<\/div>\n<div><\/div>\n<div><\/div>\n<div><strong>BEST SHORT FILM<\/strong><\/div>\n<div><\/div>\n<div>FRANKENSTEIN&#8217;S MONSTER&#8217;S MONSTER FRANKENSTEIN<\/div>\n<div>directed by Daniel Gray Longino; starring David Harbour.<\/div>\n<div><a href=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/frankmonstermonster.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1053\" src=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/frankmonstermonster.jpg\" alt=\"\" width=\"250\" height=\"141\" \/><\/a><br \/>\nHonorable mentions: THE HAUNTED SWORDSMAN; FILTH;<\/div>\n<div>AS THE EARTH TURNS; WHAT DAPHNE SAW; MISS UNDERSTOOD MONSTER;<\/div>\n<div>SKYWATCH; THE EMPTY HOUSE<\/div>\n<div><\/div>\n<div><\/div>\n<div><strong>BEST DOCUMENTARY<\/strong><\/div>\n<div><\/div>\n<div>HORROR NOIRE: A HISTORY OF BLACK HORROR, directed by Xavier Burgin,<\/div>\n<div>based on a book by Robin R. Means Coleman<\/div>\n<div><a href=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/Horror-Noire-Review.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-1054\" src=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/Horror-Noire-Review.jpg\" alt=\"\" width=\"250\" height=\"107\" \/><\/a><br \/>\nRunners-up: SMOKE AND MIRRORS: THE STORY OF TOM SAVINI;<\/div>\n<div>A GOOD GAME: KARLOFF &amp; LUGOSI AT UNIVERSAL<\/div>\n<div>Honorable mentions: MAKING APES: THE ARTISTS WHO CHANGED MOVIES;<\/div>\n<div>IN SEARCH OF DARKNESS; SCREAM QUEEN: MY NIGHTMARE ON ELM STREET<\/div>\n<div><\/div>\n<div><\/div>\n<div><strong>BOOK OF THE YEAR<\/strong><\/div>\n<div><\/div>\n<div>THE LADY FROM THE BLACK LAGOON: Hollywood Monsters<\/div>\n<div>and the Lost Legacy of Milicent Patrick by Mallory O&#8217;Meara<\/div>\n<div><a href=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/ladylagoon.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1043\" src=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/ladylagoon.jpg\" alt=\"\" width=\"250\" height=\"187\" srcset=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/ladylagoon.jpg 250w, https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/ladylagoon-80x60.jpg 80w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><\/a><br \/>\nRunners-up: INTO THE VELVET DARKNESS: A Celebration of Vincent Price,<\/div>\n<div>by Eric McNaughton, Peter Fuller and Darrell Buxton;<\/div>\n<div>HARRYHAUSEN: The Lost Movies, by John Walsh<\/div>\n<div><\/div>\n<div>Honorable mentions: TAKING SHAPE: Developing Halloween from Script to Screen,<\/div>\n<div>by Dustin McNeill and Travis Mullins;<\/div>\n<div>JAMES WARREN: Empire of Monsters, by Bill Schelly;<\/div>\n<div>BELA LUGOSI AND THE MONOGRAM 9, by Gary Rhodes and Robert Guffey;<\/div>\n<div>BELA LUGOSI: The Monogramthology, edited by Brad A. Braddock;<\/div>\n<div>ITALIAN GOTHIC HORROR FILMS 1980-89, by Roberto Curti;<\/div>\n<div>DISCOVER THE HORROR, by Jon Kitley;<\/div>\n<div>THE BRUTE MAN, by Tom Weaver, Scott Gallinghouse,<br \/>\nDr. Robert J. Kiss , George Chastain;<\/div>\n<div>CARL DENHAM&#8217;S GIANT MONSTERS by Frank J. Dello Stritto;<\/div>\n<div>BIZARRO ENCYLCOPEDIA OF FILM by John Skipp and Heather Drain<\/div>\n<div><\/div>\n<div><strong>BEST MAGAZINE (Classic)<\/strong><\/div>\n<div><\/div>\n<div>SCARY MONSTERS<\/div>\n<div><a href=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/scary114.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1055\" src=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/scary114.jpg\" alt=\"\" width=\"250\" height=\"156\" \/><\/a><br \/>\nRunners-up: LITTLE SHOPPE OF HORRORS, FAMOUS MONSTERS<\/div>\n<div>Honorable mentions: THE DARK SIDE, CINEMA RETRO, CLASSIC MONSTERS OF THE MOVIES, FILMFAX, MONSTER BASH; SCREEM, G-FAN<\/div>\n<div><\/div>\n<div><strong>BEST MAGAZINE (modern)<\/strong><\/div>\n<div><\/div>\n<div>FANGORIA<\/div>\n<div><a href=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/fang2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-1042\" src=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/fang2-220x300.jpg\" alt=\"\" width=\"220\" height=\"300\" srcset=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/fang2-220x300.jpg 220w, https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/fang2.jpg 250w\" sizes=\"auto, (max-width: 220px) 100vw, 220px\" \/><\/a><\/div>\n<div><\/div>\n<div>Runners-up: RUE MORGUE, HORRORHOUND<\/div>\n<div>Honorable mention: SCREAM (UK)<\/div>\n<div><\/div>\n<div><\/div>\n<div><strong>BEST ARTICLE<\/strong><\/div>\n<div><\/div>\n<div>RISE OF THE SUPERMONSTERS\/MONSTERS FROM THE CLOSET,<\/div>\n<div>by Carly Maga and Matthew Hays, RUE MORGUE #189<\/div>\n<div><a href=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/rue189.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-1048\" src=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/rue189-223x300.jpg\" alt=\"\" width=\"223\" height=\"300\" srcset=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/rue189-223x300.jpg 223w, https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/rue189.jpg 250w\" sizes=\"auto, (max-width: 223px) 100vw, 223px\" \/><\/a><\/div>\n<div>Runner-up: Four-Color Memories of a Monster Kid, by Rod Labbe,<\/div>\n<div>Scary Monsters Presents MONSTER MEMORIES #27;<\/div>\n<div><\/div>\n<div>Honorable mentions: &#8216;Facts of Drac: Lugosi and Dracula, the Early Years,&#8217;<\/div>\n<div>by Frank J. Dello Stritto, MONSTER BASH #35;<\/div>\n<div>&#8216;History of Horror Film Fanzines: The Monster Times,&#8217; by Richard Klemensen, LITTLE SHOPPE OF HORRORS #43;<\/div>\n<div>&#8216;Ghosts of Collinwood,&#8217; by Wallace McBride and Dana Gould, FANGORIA #4;<\/div>\n<div>&#8216;Doctor Sleep: The World Will Shine Again,&#8217; by Bev Vincent, SCREEM #38;<\/div>\n<div>&#8216;Dracula&#8217;s Daughter: Re-Examning a Horror Classic,&#8217; by Matthew E. Banks,<\/div>\n<div>SCARY MONSTERS #113, 115.<\/div>\n<div><\/div>\n<div><\/div>\n<div>\n<p><strong>BEST INTERVIEW<\/strong><\/p>\n<p>Dark Shadows&#8217; Kathryn Leigh Scott,<br \/>\ninterview by Rod Labbe, SCARY MONSTERS #111<\/p>\n<\/div>\n<div><a href=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/labbescott.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-1044\" src=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/labbescott-300x120.jpg\" alt=\"\" width=\"300\" height=\"120\" srcset=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/labbescott-300x120.jpg 300w, https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/labbescott.jpg 350w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><br \/>\nRunners-up: Jordan Peele by Paul Thomas Anderson, FANGORIA #3;<\/div>\n<div>William Friedkin by Andrea Subissati, RUE MORGUE #190<\/div>\n<div>Honorable mentions: Mark Patton by Rocco Thompson, RUE MORGUE #189;<\/div>\n<div>Tom Savini by Tony Earnshaw, DARK SIDE #201-202;<\/div>\n<div>Pamela Pierce Barcelou by Laura Beerman for joebobbriggs.com;<\/div>\n<div>John Richardson by Mark Mawston, CINEMA RETRO #45-46<\/div>\n<div><\/div>\n<div><\/div>\n<div><strong>BEST COLUMN<\/strong><\/div>\n<div><\/div>\n<div>Scene Queen, by Barbara Crampton (FANGORIA)<\/div>\n<div><a href=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/crampton4.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1045\" src=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/crampton4.jpg\" alt=\"\" width=\"250\" height=\"131\" \/><\/a><\/div>\n<div><\/div>\n<div>Runner-up: Dr. Gangrene&#8217;s Mad Interviews, SCARY MONSTERS;<\/div>\n<div>Honorable mentions: They Came from the Crypt, by Jon Kitley, HORRORHOUND;<\/div>\n<div>Homicidal Homemaker, by Kaci, RUE MORGUE;<\/div>\n<div>Rondo Remembers by Ron Adams, MONSTER BASH;<\/div>\n<div>Overlooked in Hollywood by Laura Wagner, GOLDEN FILMS OF THE GOLDEN AGE<\/div>\n<div><\/div>\n<div><strong>BEST COVER<\/strong><\/div>\n<div><\/div>\n<div>SCARY MONSTERS #115 by Scott Jackson<\/div>\n<div><a href=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/scary115_edited-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1052\" src=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/scary115_edited-1.jpg\" alt=\"\" width=\"250\" height=\"157\" \/><\/a><\/div>\n<div><\/div>\n<div>Runners-up: HORRORHOUND #78 by Jason Edmison;<\/div>\n<div>THE DARK SIDE #201 by Rick Melton; SCREEM #37 by Mark Maddox;<\/div>\n<div>FANGORIA #2 by Joshua Hoffine;<\/div>\n<div>CLASSIC MONSTERS OF THE MOVIES #15, by Daniel Horne;<\/div>\n<div>RUE MORGUE #78 by Rob Birchfield<\/div>\n<\/div>\n<div>\n<div><\/div>\n<div><strong>BEST WEBSITE<\/strong><\/div>\n<div><\/div>\n<div>BLOODY DISGUSTING<\/div>\n<div><a href=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/bloody.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1057\" src=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/bloody.jpg\" alt=\"\" width=\"250\" height=\"141\" \/><\/a><\/div>\n<div>Runners-up: Collinsport Historical Society;<\/div>\n<div>Universal Horror &amp; Classic Creatures (Facebook);<\/div>\n<div>Video Watchblog<\/div>\n<div>Honorable mentions: Birth.Movies.Death; Dread Central<\/div>\n<div>Dr.Gangrene&#8217;s Mad Blog<\/div>\n<div><\/div>\n<div><strong>BEST MULTI-MEDIA SITE<\/strong><\/div>\n<div><\/div>\n<div>GILBERT GOTTFRIED&#8217;S AMAZING COLOSSAL PODCAST<\/div>\n<div><a href=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/gilbert.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1046\" src=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/gilbert.jpg\" alt=\"\" width=\"250\" height=\"150\" \/><\/a><\/div>\n<div>Runners-up: Dinosaur Dracula; Shock Waves;<\/div>\n<div>Monster Kid Radio<\/div>\n<div>Honorable mentions: Trailers From Hell; Twilight Zone Podcast;<\/div>\n<div>Count Gore De Vol\u2019s Creature Features<\/div>\n<div><\/div>\n<div><strong>FAVORITE HORROR HOST OF 2019<\/strong><\/div>\n<div><\/div>\n<div>SVENGOOLIE<\/div>\n<div><a href=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/carlsonrondo.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1029\" src=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/carlsonrondo.jpg\" alt=\"\" width=\"280\" height=\"286\" \/><\/a><br \/>\nRunners-up: Lamia; Joe Bob Briggs;<\/div>\n<div>Elvira; Offbeat Cinema<\/div>\n<div>Honorable mentions: Deadwest; Mummy &amp; the Monkey;<\/div>\n<div>Marlena Midnight; Mr. Lobo; Dr. Gangrene, Count Gore de Vol;<\/div>\n<div>Key Master Slash Poe; Son of Ghoul; Lord Blood-Rah; Drac and Carlita<\/div>\n<div><\/div>\n<div><\/div>\n<div><strong>BEST CONVENTION<\/strong><\/div>\n<div><\/div>\n<div>MONSTER BASH<\/div>\n<div><a href=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/bash2019.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1064\" src=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/bash2019.jpg\" alt=\"\" width=\"250\" height=\"196\" \/><\/a><\/div>\n<div><\/div>\n<div>Runners-up: Monsterpalooza; HorrorHound Weekend<\/div>\n<div>Honorable mentions: Horror Hotel; DragonCon; Flashback Weekend;<\/div>\n<div>Chiller Expo; Texas Frightmare Weekend; Blobfest<\/div>\n<div><\/div>\n<div><strong>TOP LIVE EVENT<\/strong><\/div>\n<div><a href=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/svenho0nor.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1070\" src=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/svenho0nor.jpg\" alt=\"\" width=\"250\" height=\"131\" \/><\/a><\/div>\n<div>Svengoolie 40th Anniversary Honored by City of Chicago<\/div>\n<div>Runners-up: Women in Horror Month; Legend of Boggy Creek restoration in Texarkana<\/div>\n<div>Honorable mention: Blob Panic Run-out in Phoenixville, PA<\/div>\n<div><\/div>\n<div><strong>ACHIEVEMENT IN HORROR STUDIES<\/strong><\/div>\n<div><\/div>\n<div>Ray and Diana Harryhausen Foundation<\/div>\n<div><a href=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/rayharryfound.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1072\" src=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/rayharryfound.jpg\" alt=\"\" width=\"250\" height=\"140\" \/><\/a><\/div>\n<div>Runner-up: Miskatonic Institute of Horror Studies<\/div>\n<div>Honorable mentions: 3-D Film Archives;<\/div>\n<div>Sleepy Hollow International Film Festival; Stoker Con;<\/div>\n<div>Teenage Werewolves Horror Fiends Film Club<\/div>\n<div><\/div>\n<div><strong>BEST COMIC BOOK<\/strong><\/div>\n<div><\/div>\n<div>THE CREEPS (Warrant)<\/div>\n<div><a href=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/creeps16.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-1071\" src=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/creeps16-240x300.jpg\" alt=\"\" width=\"240\" height=\"300\" srcset=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/creeps16-240x300.jpg 240w, https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/creeps16.jpg 250w\" sizes=\"auto, (max-width: 240px) 100vw, 240px\" \/><\/a><\/div>\n<div>Runner-up: EDGAR ALLAN POE&#8217;S SNIFTER OF TERROR; CULT CLASSIC<\/div>\n<div>Honorable mentions: SNOW, GLASS, APPLES, GIDEON FALLS, ICE CREAM MAN<\/div>\n<h2 align=\"center\"><strong>&#8212;&#8212;-<br \/>\n<\/strong><strong>INDIVIDUAL AWARDS<\/strong><\/h2>\n<div align=\"center\">\n<div><\/div>\n<div align=\"center\"><strong>RONDO AWARD FOR SPECIAL ACHIEVEMENT <\/strong><\/div>\n<div><\/div>\n<div align=\"center\"><strong>SCOTT GALLINGHOUSE<br \/>\n<a href=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/scottgallinghouse.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1063\" src=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/scottgallinghouse.jpg\" alt=\"\" width=\"300\" height=\"169\" \/><\/a><br \/>\n<\/strong><\/div>\n<div><\/div>\n<div>\u00a0 For decades, the few details known about Rondo Hatton have been a mixture of conjecture and legend. Enter Scott Gallinghouse, whose masterful biography of Hatton in the book THE BRUTE MAN uncovered a richer life than anyone imagined. Two marriages, a thriving career as a reporter, an athlete and a brave gamble on Hollywood after his features began to distort. Meticulously researched and superbly written, Gallinghouse&#8217;s work is an important part of the Rondo Hatton story.<\/div>\n<div><\/div>\n<div align=\"center\"><strong>MONSTER KID OF THE YEAR<\/strong><\/div>\n<div align=\"center\"><strong>JORDAN PEELE<\/strong><\/div>\n<div align=\"center\"><\/div>\n<div align=\"center\">\n<p><a href=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/peele.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-1021\" src=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/peele-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/peele-300x200.jpg 300w, https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/peele.jpg 350w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<\/div>\n<div><\/div>\n<div align=\"center\">Director and writer Jordan Peele has brought a new<\/div>\n<div align=\"center\">sensibility and terrific energy to the horror and fantasy field with<\/div>\n<div align=\"center\">his depictions of real people confronting unreal truths. His films US and GET OUT and<\/div>\n<div align=\"center\">his reboot of THE TWILIGHT ZONE only hint at his new horror concepts to come. For<\/div>\n<div align=\"center\">thoroughly shaking tired tropes, he is our Monster Kid of the Year.<\/div>\n<div align=\"center\"><\/div>\n<div align=\"center\"><strong>WRITER OF THE YEAR<\/strong><\/div>\n<div align=\"center\"><strong>GREGORY WILLIAM MANK<br \/>\n<\/strong><\/div>\n<div><a href=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/manker.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-1075\" src=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/manker-300x280.jpg\" alt=\"\" width=\"300\" height=\"280\" srcset=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/manker-300x280.jpg 300w, https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/manker.jpg 382w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/div>\n<div><\/div>\n<div>\u00a0\u00a0 Greg Mank was one of the first horror historians to delve deeply into the production and personalities behind the Universal horror films, and decades later he shows no sign of ending his search for new insights about the films we all love. His recent books and lectures on actors Colin Clive and Laird Cregar, along with his Blu-Ray commentaries make him an essential part of ever-changing film history.<\/div>\n<div><\/div>\n<div><\/div>\n<div align=\"center\"><strong>ARTIST OF THE YEAR<\/strong><\/div>\n<div align=\"center\"><strong>MARK MADDOX<br \/>\n<\/strong><a href=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/MMaddox2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1050\" src=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/MMaddox2.jpg\" alt=\"\" width=\"250\" height=\"163\" \/><\/a><\/div>\n<div><\/div>\n<div>\u00a0\u00a0 Like the best of genre artists, Mark Maddox makes familiar images new again through color and depth, superb composition and eye-pleasing dynamics. His work in magazines is legendary but his entry into Blu-Ray covers and more shows an artist moving with the times, and with his audience.<\/div>\n<div><\/div>\n<div align=\"center\">Runners-up: Daniel Horne, Scott Jackson, Jeff Carlson, Ron Birchfield, Frederick Cooper, LJ Dopp, Jason Edmiston, Pete Von Sholly.<\/div>\n<div><\/div>\n<div align=\"center\"><strong>FAN ARTIST OF THE YEAR (The Linda Miller Award)<\/strong><\/div>\n<div><\/div>\n<div align=\"center\"><strong>JERROD BROWN<br \/>\n<\/strong><a href=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/jerrod2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-1065\" src=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/jerrod2-246x300.jpg\" alt=\"\" width=\"246\" height=\"300\" srcset=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/jerrod2-246x300.jpg 246w, https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/jerrod2.jpg 400w\" sizes=\"auto, (max-width: 246px) 100vw, 246px\" \/><\/a><\/div>\n<div><\/div>\n<div>\u00a0\u00a0 Jerrod&#8217;s art is bold and grand, a mix of classic images and modern monsters. But last year his large-scale reproductions of Aurora monster model box art went on tour, wowing visitors with a mix of nostalgia and presentations that made childhoods new again.<\/div>\n<div><\/div>\n<div align=\"center\">Runners-up: Max Martelli, Malcolm Gittins, Noufaux, Derek Koch, Audrey Funk.<\/div>\n<div align=\"center\">&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;<\/div>\n<div><\/div>\n<div align=\"center\"><strong>THE MONSTER KID HALL OF FAME<br \/>\n(Based on votes and Rondo selections)<\/strong><\/div>\n<div><\/div>\n<div align=\"center\"><strong>ROBERT BLOCH<br \/>\n<a href=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/bloch.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-1066\" src=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/bloch-300x265.jpg\" alt=\"\" width=\"300\" height=\"265\" srcset=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/bloch-300x265.jpg 300w, https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/bloch.jpg 318w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><br \/>\n<\/strong><\/div>\n<div><\/div>\n<div align=\"left\">\u00a0\u00a0 One of the original masters of horror, Robert Bloch&#8217;s PSYCHO and other macabre tales filled a generation with intelligent dread, spawning young writers, shaping early television and films and setting a baseline for horrors to come. Whether screenplays or short fiction, his stories still bring a shudder.<\/div>\n<\/div>\n<div align=\"left\">\n<div><\/div>\n<\/div>\n<div align=\"center\">\n<div><\/div>\n<div align=\"center\"><strong>JONATHAN RIGBY<\/strong><\/div>\n<div align=\"center\"><a href=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/rigby.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-1061\" src=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/rigby-203x300.jpg\" alt=\"\" width=\"203\" height=\"300\" srcset=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/rigby-203x300.jpg 203w, https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/rigby.jpg 250w\" sizes=\"auto, (max-width: 203px) 100vw, 203px\" \/><\/a><\/div>\n<div align=\"left\">\u00a0\u00a0 Horror historian Jonathan Rigby sees movies with a worldly eye. His books such as ENGLISH GOTHIC, EURO GOTHIC and AMERICAN GOTHIC do more than simply compile the films of the century. He discerns the cultural shifts and winks within, producing a body of work that is entirely original.<\/div>\n<div><\/div>\n<div align=\"center\"><strong>KAT ELLINGER<\/strong><\/div>\n<div align=\"center\"><a href=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/kat2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1067\" src=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/kat2.jpg\" alt=\"\" width=\"285\" height=\"285\" srcset=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/kat2.jpg 285w, https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/kat2-150x150.jpg 150w\" sizes=\"auto, (max-width: 285px) 100vw, 285px\" \/><\/a><\/div>\n<div><\/div>\n<div align=\"left\">\u00a0 Author, editor, podcaster and film commentator (150 projects so far), Kat Ellinger is an important voice working to broaden too-often traditional views of film, culture, gender and genre.\u00a0 Expanding definitions helps her bring more people into a world of forbidden or even difficult cinema, from horror and giallo to surprising new takes on pop favorites and beyond.<\/div>\n<\/div>\n<div align=\"left\">\n<div align=\"center\"><\/div>\n<div align=\"center\"><strong>CONSTANTINE NASR<br \/>\n<\/strong><a href=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/nasr.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-1062\" src=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/nasr-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/nasr.jpg 300w, https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/nasr-150x150.jpg 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/div>\n<div><\/div>\n<div>\u00a0\u00a0 For years, Constantine Nasr has been a hidden hand behind some of the genre&#8217;s most important DVD and BluRay releases, working with studios on commentaries, documentaries, interviews and pushing, pushing, pushing to ensure classic and contemporrary films get the best presentations possible. This year alone his work has ranged from the 1979 Dracula to Universal Horrors and more.<\/div>\n<\/div>\n<div align=\"center\">\n<div><\/div>\n<div align=\"center\"><strong>GREG LUCE<\/strong><\/div>\n<div align=\"center\"><a href=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/luce.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1047\" src=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/luce.jpg\" alt=\"\" width=\"216\" height=\"233\" \/><\/a><\/div>\n<div align=\"left\">\u00a0\u00a0 Greg Luce&#8217;s Sinister Cinema was a gateway drug of sorts for a generation discovering video in the 1990s. Far from your corner Blockbusters, Sinister Cinema offered rare and obscure and often unknown films on VHS, a mail order warehouse still active today.\u00a0 Luce has struggled but says his maile order DVD operation will stay open at least into 2021. He is a founder of &#8230; all this.<\/div>\n<div><\/div>\n<div align=\"center\"><strong>GEORGE CHASTAIN<\/strong><\/div>\n<div align=\"center\"><a href=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/GeorgeChastainForryWinner.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1060\" src=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/GeorgeChastainForryWinner.jpg\" alt=\"\" width=\"300\" height=\"262\" \/><\/a><\/div>\n<div align=\"left\">\u00a0 George Chastain, shown here with a recent Forry Award, is a longtime fan, artist and as George &#8216;Egor&#8217; Chastain, one of the earliest chroniclers of the wide and weird world of television horror hosts. His work can be seen in magazines, books, convention posters, buttons and more. His recent look at muscle-bound celebrities of the past in the Rondo Hatton biography is a wonder of graphic storytelling. A true Monster Kid for the ages.<\/div>\n<div><\/div>\n<div align=\"center\"><strong>THE GHOUL (Ron Sweed) and SON OF GHOUL<\/strong><br \/>\n<a href=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/ghouls.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-1059\" src=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/ghouls-300x145.jpg\" alt=\"\" width=\"300\" height=\"145\" srcset=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/ghouls-300x145.jpg 300w, https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/ghouls.jpg 416w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/div>\n<div><\/div>\n<div align=\"left\">\u00a0 Cleveland&#8217;s long history of monster enthusiasm has had its share of horror hosts, beginning with the late Ron Sweed (the original Ghoul), and now, Son of Ghoul. &#8220;Son&#8221; has held a gentle yet reassuring presence in northeast Ohio for decades, keeping televised and online horror alive and well.<\/div>\n<div><\/div>\n<div align=\"center\"><strong>\u00a0DAVID &#8216;THE ROCK&#8217; NELSON<br \/>\n<a href=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/RockandSaucerman.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-1051\" src=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/RockandSaucerman-225x300.jpg\" alt=\"\" width=\"225\" height=\"300\" srcset=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/RockandSaucerman-225x300.jpg 225w, https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2020\/04\/RockandSaucerman.jpg 450w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><\/a><br \/>\n<\/strong><\/div>\n<div><\/div>\n<div align=\"left\">\u00a0 Every part of life, from sports to the boardroom, needs its pranksters, and David &#8220;The Rock&#8217; Nelson is that &#8212; a zany and unstoppable force at conventions, and a recurring figure on Chicago TV every October.\u00a0 His crude handheld filmmaking interrupts conversations so the footage can be compiled into guerrilla DVDs of streaming basement unconsciousness. As one voter wrote, &#8220;David is a heartfelt Monster Kid through and through.&#8221; Welcome to the Hall!<\/div>\n<div><\/div>\n<div align=\"center\">&#8212;&#8212;&#8212;&#8212;&#8212;<\/div>\n<div><\/div>\n<div align=\"center\">\n<p>\u00a0\u00a0 As we always say, if you&#8217;ve gotten this far, you are a true Monster Kid. Again, remember that winning is fun but the true value is in all the nominees and all their work. We hope you use this &#8220;downtime&#8221; to check out the links and podcasts and videos on the ballot. And thanks for being a part of the Rondo experience.<\/p>\n<\/div>\n<div><a href=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2014\/05\/zachwins.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-129\" src=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2014\/05\/zachwins-300x250.jpg\" alt=\"\" width=\"300\" height=\"250\" srcset=\"https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2014\/05\/zachwins-300x250.jpg 300w, https:\/\/rondoaward.com\/rondoaward.com\/blog\/wp-content\/uploads\/2014\/05\/zachwins.jpg 450w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/div>\n<div align=\"center\"><span data-scefontsize=\"75\">Rondos copyright 2020 by David Colton<\/span><\/div>\n<\/div>\n<div><\/div>\n<div align=\"center\"><\/div>\n<div align=\"center\"><\/div>\n<div align=\"center\"><\/div>\n<div align=\"center\"><\/div>\n<div align=\"center\"><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>&#8216;Joker,\u2019 \u2018Mandalorian\u2019 and 1979 &#8216;Dracula&#8217; take top honors in 18th Annual Rondo Awards &#8216;Lady from the Black Lagoon&#8217; is Book of the Year; Director Jordan Peele is Monster Kid of the Year; and Svengoolie wins again! FOR IMMEDIATE RELEASE By David Colton CHFB News \u00a0 \u00a0ARLINGTON, VA. \u2013\u00a0 A monster in green hair and red&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1010","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/rondoaward.com\/rondoaward.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1010","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rondoaward.com\/rondoaward.com\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rondoaward.com\/rondoaward.com\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rondoaward.com\/rondoaward.com\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rondoaward.com\/rondoaward.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1010"}],"version-history":[{"count":5,"href":"https:\/\/rondoaward.com\/rondoaward.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1010\/revisions"}],"predecessor-version":[{"id":1117,"href":"https:\/\/rondoaward.com\/rondoaward.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1010\/revisions\/1117"}],"wp:attachment":[{"href":"https:\/\/rondoaward.com\/rondoaward.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1010"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rondoaward.com\/rondoaward.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1010"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rondoaward.com\/rondoaward.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1010"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}